{"title":"Art, Photography \u0026 Film","description":"","products":[{"product_id":"general-idea","title":"General Idea","description":"\u003cp\u003eA compendious overview of the revered and subversive queer Canadian collective. Published on the occasion of the huge retrospective General Idea at the National Gallery of Canada, Ontario, and the Stedelijk Museum, Amsterdam (2022–2023), this volume constitutes the most comprehensive source on the Canadian collective General Idea, founded in Toronto in 1969 by Felix Partz, Jorge Zontal, and AA Bronson, and active until the death of Partz and Zontal in 1994. The volume is arranged in three parts: I. Performances and Actions; II. In the Streets; III. In the Showroom. The first two parts focus on works and methods that extend beyond the traditional museum exhibition, documenting ephemeral, time-based, and even disposable works. The third part includes a plates section offering a near-complete visual survey of General Idea’s practice. Facing-page comparative images show works as they appeared in historical installations and other relevant contexts. These three sections correspond broadly to the collective’s development: from performances, actions, pageants, and other practices (1969–1978), through works engaging with mass media formats such as the magazine, broadcast television, and video (1972–1980s), moving finally to works conceived for galleries and museums (1985–1994). The publication features a prologue by AA Bronson, a conversation between AA Bronson and Beatrix Ruf, and newly commissioned texts by established scholars—all offering new primary source texts on General Idea. 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New essays by American curator Alison Gingeras, French curator and academic Ana Mendoza Aldana, and M KHA curator Joanna Zielinska, together with a selection of rarely reproduced bodies of work—especially the “People” series (1966–1968)—offer new approaches to celebrate her work and life.\u003c\/p\u003e\n\u003cp\u003eFor more than six decades, Dorothy Iannone (1933, Boston–2022, Berlin) attempted to represent ecstatic love, the union of gender, feeling, and pleasure. Today her oeuvre, which encompasses painting, drawing, collage, video, sculpture, objects, and artist’s books, is widely recognized as one of the most provocative and fruitful bodies of work in recent decades in terms of the liberalization of female sexuality, and political and feminist issues. As Fluxus artist Robert Filliou declared as early as in 1972, “She is a freedom fighter, and a forceful and dedicated artist, skillfully blending imagery and text, beauty and truth. Her aim is no less than human liberation.” A narrative element fed with personal mythologies, experiences, feelings, and relationships runs through all of her work, unified by her distinctive colorful, explicit, and comic book style.\u003c\/p\u003e\n\u003cp\u003eActive from the 1960s to the early 2020s, her work has been recently exhibited at the Louisiana Museum of Modern Art, Humlebaek (2022); the Centre Pompidou, Paris (2019); the Serpentine Pavilion, London (2018); the Swiss Cultural Center, Paris (2016); MAMCO, Geneva (2017); the Migros Museum für Gegenwartskunt, Zurich, and the Berlinische Galerie, Berlin (2014); the New Museum, New York (2009).\u003c\/p\u003e\n\u003cp\u003ePublisher: JRP Editions\u003cbr\u003ePublished: 2024\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 136\u003cbr\u003eOrigin: Switzerland\u003cbr\u003eDimensions: 23 × 16.5 × 1.5 cm\u003c\/p\u003e","brand":"JRP RINGIER","offers":[{"title":"Default Title","offer_id":46613072019643,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/37851-Love-Is-Forever-Isnt-It_Dorothy-Iannone-1.jpg?v=1748195233"},{"product_id":"sketches-of-transition","title":"Sketches of Transition: An Atlas on Growth and Decay","description":"\u003cp\u003eUnlike traditional approaches that would produce a book or catalogue to document the artworks on show, this exhibition wants to transform the very essence of the book Sketches of Transition – An Atlas on Growth and Decay into a spatial experience.\u003c\/p\u003e\n\u003cp\u003eDrawing inspiration from its atlas structure, a curated selection of printed works is showcased. 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They were supplied with a Hasselblad 500EL Data Camera with Réseau plates and a Zeiss Biogon 60mm ƒ\/5.6 lens with which they were to take photographs before and during the mission. 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In medieval art, the garden was a reflection of paradise, a place of harmony and fertility, shielded from worldly problems. In the eighteenth century this image tilted: the garden became a symbol of worldly powers and politics. The Anthropocene is forcing us to radically rethink the role we have given nature in recent decades. 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The book is published in collaboration with Lars Tunbjörk Foundation.\u003c\/p\u003e\n\u003cp\u003ePublisher: Loose Joints\u003cbr\u003ePublished: 2024\u003cbr\u003eOrigin: France\u003cbr\u003eLanguage: English\u003cbr\u003eDimensions: 29 × 29 × 1.5 cm\u003c\/p\u003e","brand":"Loose Joints","offers":[{"title":"Default Title","offer_id":46758801866939,"sku":null,"price":107.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/39691-Office-LA-Office---Lars-Tunbjoerk.webp?v=1781278482"},{"product_id":"dias-pia-riverola","title":"Días - Pia Riverola","description":"\u003cp\u003e\u003cem\u003eDías\u003c\/em\u003e, a tonal collage of places and days by Spanish photographer Pia Riverola. Renowned for her evocative, hazy imagery, the delicately-sequenced Días uses motion, blur, and dappled light to create a sensory and synaesthetic experience, transporting you to a memory long-forgotten, plucked from time. Riverola's dreamy images, soaked in atmosphere, evoke feelings of distance and travel: from neon-lit rainy Japanese nights, a Mediterranean breeze lifting a Spanish tablecloth, or Italian drizzle softly falling beneath an umbrella in a Roman garden.\u003c\/p\u003e\n\u003cp\u003eA self-taught photographer, Riverola's images contain a casual offhandedness; candid like an overheard conversation, intimated and muffled like a late-night call with a friend, celebratory and in wonder of the world. As if peeling away the layers, the days of toil and tribulation to see the world anew, Días feels cleansing and deep in its essence, joyful yet sombre in the way Riverola's oblique evocations roll away before your eyes. With Días, Riverola continues to explore her passion for capturing the essence of place, inviting readers to immerse themselves in the poetic beauty of her journeys.\u003c\/p\u003e\n\u003cp\u003eAuthor: Pia Riverda\u003cbr\u003ePublisher: Loose Joints\u003cbr\u003ePublished: 2024\u003cbr\u003eOrigin: France\u003cbr\u003eLanguage: English\u003cbr\u003eDimensions: 22 × 18 × 2 cm\u003c\/p\u003e","brand":"Loose Joints","offers":[{"title":"Default Title","offer_id":46758969475259,"sku":null,"price":63.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/39356-Dias-Pia-Riverola-1.webp?v=1781278836"},{"product_id":"the-great-room-katherine-hubbard","title":"The Great Room - Katherine Hubbard","description":"\u003cp\u003eHubbard uses performance and domestic architecture to explore grief, motherhood, queerness and the labour of caregiving.\u003c\/p\u003e\n\u003cp\u003eUsing large-format cameras and experimental darkroom techniques,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Great Room\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a profoundly personal series by interdisciplinary artist Katherine Hubbard in collaboration with her mother. In 2020 — a year defined by introspection, caretaking, and the upheaval of the COVID-19 pandemic — Hubbard's mother began experiencing severe memory loss, later diagnosed as LATE, a brain disease mimicking the symptoms of Alzheimer's.\u003c\/p\u003e\n\u003cp\u003eIn collaboration with her mother, Hubbard transforms her family home — a space both overwhelming and deeply familiar — into a psychological landscape. These cluttered rooms  become a layered stage where her mother serves as partner in an ongoing exploration of the real and performed. Together, they create photographs that engage with daily rituals such as bathing, organising, and watching TV: compositions that blend seamlessly with unguarded intimacy. This photographic series ruptures the quotidian in an exploration of care work, memory, grief, and the entropy of loss.\u003c\/p\u003e\n\u003cp\u003eHubbard’s practice pushes against the flattening of the photographic image, critically engaging performance, sculptural elements, and the implicit power dynamics in the social contract between the photographer and her subject. This is the first time Hubbard has consistently photographed another person. Here, photography becomes more than documentation; it is an entanglement of touch and gesture; the domestic and the maternal; which confront the pain of losing the familiar essence of her mother. In addition Hubbard creates experimental body contact prints in the darkroom with her mother that trace the textures of skin and the physicality of aging. These tactile works materialise ability and the weight of time, celebrating the complexity of their relationship while questioning the roles of artist, subject, and collaborator. In\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Great Room\u003c\/em\u003e, Hubbard reimagines the home as a space where photography transforms care and the slow grief of dementia into a powerful act of presence and love.\u003c\/p\u003e\n\u003cp\u003ePublisher: Loose Joints\u003cbr\u003e\nPublished: 2025\u003cbr\u003e\nLanguage: English\u003cbr\u003e\nPages: 88\u003cbr\u003e\nDimensions: 219  × 290 mm\u003c\/p\u003e","brand":"Loose Joints","offers":[{"title":"Default Title","offer_id":46761227616443,"sku":null,"price":68.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/website_katherine-hubbard-the-great-room.jpg?v=1784991609"},{"product_id":"photographs-1978-1085-christine-furuya-gossler","title":"Photographs (1978-1085) - Christine Furuya-Gossler","description":"\u003cp\u003eChristine Furuya-Gössler captures her reality with an almost enigmatic distance. \u003ci\u003ePhotographs (1978–1985)\u003c\/i\u003e brings together seven years of photography, revealed for the very first time.\u003c\/p\u003e\n\u003cp\u003ePrimarily known through the eyes of her husband, Seiichi Furuya, for whom she was the muse, Christine began taking photographs in 1978, when they met.\u003c\/p\u003e\n\u003cp\u003eAs a photographer of reality, she offers a unique vision of her private life and her relationship with the world. Furuya-Gössler photographs her family, moments of sharing and celebration, and her travels, all while maintaining a distance from anyone who tries to capture her essence. The palpable melancholy that pervades her images provides a glimpse into her inner world, yet it does not allow us to fully grasp or understand it.\u003c\/p\u003e\n\u003cp\u003eComposed of more than 120 photographs, \u003cem\u003ePhotographs (1978–1985) \u003c\/em\u003eshowcases for the first time the work of Christine Furuya-Gössler, which has never been exhibited before. This monograph serves as the first posthumous collection of the photographer’s work, covering a creative period of seven years, interrupted by her death in 1985.\u003c\/p\u003e\n\u003cp\u003eAuthor: Christine Furuya-Gössler\u003cbr\u003ePublisher: Chose Commune\u003cbr\u003ePublished: 2025\u003cbr\u003eOrigin: France\u003cbr\u003eLanguage: English, French, Japanese\u003cbr\u003ePages: 208\u003cbr\u003eDimensions: 24 × 17 × 2 cm\u003c\/p\u003e","brand":"Chose Commune","offers":[{"title":"Default Title","offer_id":46779762180283,"sku":null,"price":52.32,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/41239-Photographs-1978-1985_Christine-Furuya-Goessler-1.webp?v=1781277685"},{"product_id":"lots-of-lots-jason-fulford","title":"Lots of Lots - Jason Fulford","description":"\u003cp\u003eJason Fulford’s latest book is a vibrant riff on conceptual artist Sol LeWitt’s 1977 publication PhotoGrids. Lots Of Lots transforms the seemingly quotidian objects captured by Fulford in nearly seven hundred photographs into an evocative collection of interconnected and overlapping forms. Employing a 3x3 format with nine square images on each page, Fulford groups his photographs by idiosyncratic features such as colour palette, slogans, distinctive shadows, and geometric shape. Untethered by location, style, or time, they move between coherence and collision in reflection of the varying order and disorder of the world. An empty laundrette, a lone park bench, and a cascading waterfall are among the many sights that find new resonance in Fulford’s wry and illuminating compositions, revealing beauty among endless production and consumption.\u003c\/p\u003e\n\u003cp\u003eAuthor: Jason Fulford\u003cbr\u003ePublisher: Mack\u003cbr\u003ePublished: 2025\u003cbr\u003eOrigin: United Kingdom\u003cbr\u003eLanguage: English\u003cbr\u003e\nDimensions: 26 x 26.35 cm\u003c\/p\u003e","brand":"Mack \/ SPBH Editions","offers":[{"title":"Default Title","offer_id":46789264605371,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/40370-Lots-of-Lots_Jason-Fulford-1.webp?v=1781278206"},{"product_id":"cura-44","title":"CURA. #44 2025 - The Generational Issue","description":"\u003cp\u003e\u003cem\u003eThe Generational Issue\u003c\/em\u003e is in this sense a generative issue, in its ability to bring the existing into the world. If every single creative act has value in itself, the sense of a community or of an entire generation of artists defines the very sense of the time we live in. But how do you define a new generation of artists?\u003c\/p\u003e\n\u003cp\u003eA new generational cohort is created every twenty-twenty five years with its progeny of ideas, space-time coordinates, models. Here, just three years after the first volume, The Generational Issue continues its investigation into a new generation of artists, with the aim of developing, expanding and deepening research on the most innovative figures in contemporary art, and providing a lineup as extensive, plural and indicative as possible of artists of today and tomorrow. With over fifty under-35 leading figures, the new \u003cem\u003eThe Generational Issue \u003c\/em\u003eexplores an extremely diverse landscape of practices and languages, defining an abecedary of key figures of a new generational front called upon to interpret the time in which today’s art is created and produced. A fundamental and progressive archive of artists, who, joining those of the previous volume, interpret themes, urges and frontiers of the emerging generation.\u003c\/p\u003e\n\u003cp\u003ePublisher: Cura.\u003cbr\u003ePublished: 2025\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 311\u003cbr\u003eDimensions: 11.02 × 8.27 × 0.79 in\u003c\/p\u003e","brand":"Cura.","offers":[{"title":"Default Title","offer_id":46875940847803,"sku":null,"price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/41077-CURA-44-2025-1.webp?v=1762561909"},{"product_id":"st-gil-jonathan-schmidt-ott","title":"St Gil - Jonathan Schmidt-Ott","description":"\u003cp\u003eIn St. Gil, Berlin-based photographer Jonathan Schmidt-Ott turns his lens towards his immediate surroundings, capturing reflective glimpses of life in contemplative compositions of people and places. The collection encompasses portraits, still lifes, nature studies, landscapes, and architecture, combined in photographic diptychs suspended in silent dialogue, akin to verses in a poem. These visual narratives stand as self-contained units, offering a profoundly personal point of view by interweaving autobiographical and associative moments. They are poetic and unaffected inventories, revealing the artist's devoted engagement with the world. Each visual dialogue within this publication serves as a repository of mysteries, secrets and serendipities. (Lukas Feireiss)\u003c\/p\u003e\n\u003cp\u003ePublisher: Spector Books\u003cbr\u003e\nPublished: 2024\u003cbr\u003e\nLanguage: English\u003cbr\u003e\nPages: 320\u003cbr\u003e\nDimensions: 6.69 x 0.55 x 9.06 in\u003c\/p\u003e","brand":"SPECTOR BOOKS","offers":[{"title":"Default Title","offer_id":46946834841787,"sku":null,"price":58.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/40228-St-Gil---Jonathan-Schmidt-Ott-1.jpg?v=1762562242"},{"product_id":"rainbow-variations-taisuke-koyama","title":"Rainbow Variations - Taisuke Koyama","description":"\u003cp\u003eEver since he published his book \u003cem\u003eentropix\u003c\/em\u003e in 2008, Taisuke Koyama has been consistently capturing the boundary between urban cities and nature. Through his practice, he has been expanding the framework of photography and exploring experimental expressions that question the ways in which photography exists in the digital age. This book is a first anthology introducing \u003cem\u003eRainbow Variations\u003c\/em\u003e, a series which Koyama has been working on since 2009. It includes comprises 70 images, including \u003cem\u003eRainbow Variations\u003c\/em\u003e in which he tries to transform and iteratively amplify the photographic images of a \"rainbow as an artefact\" created by macro-photographing rainbow-coloured publicity posters, as well as his newest series \u003cem\u003ePico\u003c\/em\u003e.The book was edited and designed in collaboration with Swiss designer duo, Maximage. Essay by Charlotte Cotton. Published by the brilliant \u003cem\u003eKodoji Press\u003c\/em\u003e (Baden) in collaboration with \u003cem\u003eArt Beat Publishers\u003c\/em\u003e (Tokyo) and \u003cem\u003eG\/P Gallery\u003c\/em\u003e (Tokyo).\u003c\/p\u003e\n\u003cp\u003eAuthor: Taisuke Koyama\u003cbr\u003e\nPublisher: Kodoji Press and Art Beat Publishers\u003cbr\u003e\nPages: 96\u003cbr\u003e\nDimensions: 11.81 x 8.66 x 0.79 inches\u003c\/p\u003e","brand":"Kodoji Press","offers":[{"title":"Default Title","offer_id":46973983391931,"sku":null,"price":48.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/B5BA1542-8CEA-4BA4-9DDF-1C5782E325BC.jpg?v=1784300874"},{"product_id":"objectified-outline-dora-maurer","title":"Objectified Outline - Dóra Maurer","description":"\u003cp\u003eIn her early conceptual work, \u003cem\u003eObjectified Outline\u003c\/em\u003e (1981), Dóra Maurer explores the perception of the female body and its abstract form. This leporello fold features eight silver prints that depict chalk-painted outlines on a rotating woman's body, highlighting the abstract representation of femininity through Maurer’s unique perspective.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBorn in 1937, Dóra Maurer is one of Hungary’s most influential artists. Her experimental practice as an artist, teacher, and curator spans over five decades, bringing together paintings and works on paper from various series that range from the late 1970s to the present day.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAuthor: Dóra Maurer\u003cbr\u003ePublisher: Kodoji Press\u003cbr\u003ePublished: 2024\u003cbr\u003eOrigin: Switzerland\u003cbr\u003eDimensions: 14 × 9 × 1 cm\u003c\/p\u003e","brand":"Kodoji Press","offers":[{"title":"Default Title","offer_id":46973987094715,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/39913-Objectified-Outline---Dora-Maurer.jpg?v=1763568663"},{"product_id":"an-active-ear-henry-martin","title":"An Active Ear: Henry Martin","description":"\u003cp\u003eIn the first publication dedicated to the work of Afro-American writer, critic, curator and translator Henry Martin (Philadelphia, US 1942—South Tyrol, Italy 2022), Emanuele Guidi gathers a selection of texts by Martin, whose personal archive has been conserved by collector Egidio Marzona and his Archiv der Avantgarden (Archive of the Avant-Gardes) in Dresden. The book is conceived as research about Henry Martin’s role in and contribution to the Italian, European and US cultural and artistic world, through a selection of his published and unpublished articles, essays, conversations, and personal correspondences from 1965 until his recent passing. The volume reconstructs the map of relationships and experiences in which Martin was activelyinvolved and that makes him a rare interlocutor with different radical artistic movements across Europe and US, including Fluxus, Mail Art, Concrete Poetry, Arte Povera and Conceptual Art. His lifelong friendship with a variety of artists and intellectuals, his practice as translator, and his life choice of leaving the main centers to move permanently in the Italian Alps in 1971, are discussed by newly commissioned contributions which help in thinking Martin’s life and work from a contemporary perspective at the intersection of ecology and a sustainable working culture.\u003c\/p\u003e\n\u003cp\u003ePublisher: Spector Books\u003cbr\u003e\nPublished: 2025\u003cbr\u003e\nLanguage: English\u003cbr\u003e\nPages: 511\u003cbr\u003e\nDimensions: 6.69 x 1.57 x 9.45 in\u003c\/p\u003e","brand":"SPECTOR BOOKS","offers":[{"title":"Default Title","offer_id":46974150770875,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/48A62570-ADAC-4605-BFBF-CFDF9EF1AF8D.jpg?v=1784428231"},{"product_id":"paellas-y-coches","title":"Paellas y Coches - Ricardo Cases","description":"\u003cp\u003eL'ETNO has collaborated with photographer Ricardo Cases on the publication of the second edition of his work \"Paellas and Cars.\"\u003c\/p\u003e\n\u003cp\u003eThese days, it's not unusual to see paella in the most unexpected places. In today's fast-paced world, where haste and lack of time threaten some classic social rituals related to food, Valencians have found solutions. With the arrival of warmer weather, our roads fill with paella pans being transported by car to all kinds of homes. This photographic project originated at the L'Alter restaurant in Picassent (Horta Sud), which cooks more than 80 paellas a day for takeaway during the summer months. Ricardo Cases presents these motorized still lifes, exploring new visual imagery surrounding the representation of paella.\u003c\/p\u003e\n\u003cp\u003ePublisher: L'ETNO\u003cbr\u003ePublished: 2018\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 54\u003cbr\u003eDimensions: 3.94 x 5.91 in\u003c\/p\u003e","brand":"Ricardo Cases","offers":[{"title":"Default Title","offer_id":46990640152763,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/website_paellas-y-coches-ricardo-cases.jpg?v=1784991288"},{"product_id":"paloma-al-aire","title":"Paloma al Aire - Ricardo Cases","description":"\u003cp\u003e\u003cem\u003ePaloma al Aire\u003c\/em\u003e (4th edition, 2024) by Ricardo Cases is a vibrant and affectionate portrait of a little-known but deeply rooted Spanish tradition: \u003cem\u003eColombicultura\u003c\/em\u003e, the competitive breeding and training of pigeons. In this unique sport, male pigeons—painted in striking fluorescent colors—chase a single female through the skies, not to win a race, but to prove their persistence and charm. The pigeon that spends the most time near the female is declared the winner.\u003c\/p\u003e\n\u003cp\u003ePhotographed mostly in the sun-drenched landscapes of Valencia, Murcia, and Alicante, Cases captures the ritual, spectacle, and community spirit that surround these events. Mopeds, dusty roads, and local spectators form an improvised theater of passion and playfulness. Beneath the surface, though, \u003cem\u003ePaloma al Aire\u003c\/em\u003e reveals something deeper: a loving exploration of everyday Spanish life, far from tourist clichés or media spotlights.\u003c\/p\u003e\n\u003cp\u003eWith a sharp eye for color, detail, and irony, Cases elevates a humble pastime into a poetic meditation on masculinity, tradition, and identity in contemporary Spain.\u003c\/p\u003e\n\u003cp\u003ePublisher: Ricardo Cases\u003cbr\u003e\nPublished: 2026\u003cbr\u003e\nLanguage: English\u003cbr\u003e\nPages: 320\u003cbr\u003e\nDimensions: 6.69 x 0.55 x 9.06 in\u003c\/p\u003e","brand":"Ricardo Cases","offers":[{"title":"Default Title","offer_id":46990642577595,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/FA2ADE11-D199-4676-9525-A289B3A3D3A2.jpg?v=1781109266"},{"product_id":"grafitis-y-falleras","title":"Grafitis y Falleras - Ricardo Cases","description":"\u003cp\u003e\u003cem\u003eGrafitis y Falleras\u003c\/em\u003e by Ricardo Cases is a bold photographic exploration of identity, tradition, and rebellion in contemporary Spain. At its heart are the falleras—young women dressed in ornate traditional gowns worn during Las Fallas, a famous Valencian festival known for its elaborate costumes and fiery celebrations.\u003c\/p\u003e\n\u003cp\u003eBut instead of capturing them in expected, ceremonial settings, Cases places these women in unexpected urban environments—against walls covered in graffiti, on quiet backstreets, in the everyday spaces of modern life. 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What is a research document? How do these relate to the making process, invention, and creativity? What exactly is expected of me? If you have ever asked yourself any of these questions, then this book is for you. \u003cem\u003eResearch For People Who (Think They) Would Rather Create\u003c\/em\u003e addresses all relevant aspects that need to be considered during a research and documentation process, such as: finding the right topic and approach; formulating your research question; working out your methods; choosing one or more suitable writing styles; and considering the possible roles of visual, virtual, auditory, embodied, and spatial materials. “At the heart of \u003cem\u003eResearch for People Who (Think They) Would Rather Create\u003c\/em\u003e are dozens of examples from the field of art and design – each of which illustrates one specific aspect of developing a thesis, essay, paper, report, proposal, research document, or however else it may be referred to in your own setting. You can read this book from cover to cover, or you can immediately flip to those subjects which you find most relevant at any given moment. Ultimately, \u003cem\u003eResearch for People Who (Think They) Would Rather Create\u003c\/em\u003e is an invitation to contribute – quite literally, with your own projects, examples, and questions – since our goal is to help you develop your own research.”\u003c\/p\u003e\n\u003cp\u003ePublisher: Onomatopee\u003cbr\u003ePublished: 2022\u003cbr\u003eOrigin: Belgium\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 135\u003cbr\u003eLength × Width × Height: 20 × 13 × 1,5 cm\u003c\/p\u003e","brand":"ONOMATOPEE","offers":[{"title":"Default Title","offer_id":47070415356091,"sku":null,"price":19.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/0CCF37E3-3D4B-4492-9366-22C04659B12B.jpg?v=1784427843"},{"product_id":"economic-ekphrasis","title":"Economic Ekphrasis","description":"\u003cp\u003eGoldin+Senneby and Art for Business Education\u003c\/p\u003e\n\u003cp\u003eEconomic Ekphrasis proposes a new model for arts-based business education. Using the Stockholm-wide exhibition “Standard Length of a Miracle” by conceptual artist duo Goldin+Senneby as a case study, the book rethinks relevant business studies with art created inside the back-office realities of financialized capitalism. While “ekphrasis” means literary descriptions of visual art, Economic Ekphrasis challenges scholars of art, finance, and management to see new aspects of financialized life that have been obscured by mainstream approaches.\u003c\/p\u003e\n\u003cp\u003eAuthor: Pierre Guillet de Monthoux, Erik Wikberg\u003cbr\u003ePublisher: Sternberg Press\u003cbr\u003ePublished: 2022\u003cbr\u003eOrigin: Germany\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 248\u003cbr\u003eDimensions: 19 × 12.5 × 2 cm\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":47073987428539,"sku":null,"price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/34031-Economic-Ekphrasis-1.jpg?v=1763568434"},{"product_id":"patti-smith-group-live-in-zurich","title":"Patti Smith Group Live in Zurich","description":"\u003cp\u003eOn October 12, 1976, Patti Smith performed at the Rote Fabrik in Zurich until the concert was interrupted by a mysterious tear gas attack. A bootleg recording from that evening is the starting point for Dominik Bachmann’s research and this photo book. The book brings together unpublished photos by Eric Bachmann, François Bitzi, and Roland Stucky, and also makes available for the first time, an interview that Smith gave to Swiss television. The numerous finds are supplemented by historical documents, newspaper articles, and texts by Bice Curiger, Veit Stauffer, Peter K. Wehrli, and Suzanne Zahnd complement the historical finds. The book will be published by everyedition—just in time for Patti Smith’s next concert on July 22, 2025.\u003c\/p\u003e\n\u003cp\u003eAuthor: Dominik Bachmann\u003cbr\u003e\nPublisher: Everyedition\u003cbr\u003e\nPublished: 2025\u003cbr\u003e\nLanguage: English\u003cbr\u003e\nPages: 160\u003cbr\u003e\nDimensions: 9.06 x 6.91 x .59 in\u003c\/p\u003e","brand":"Everyedition","offers":[{"title":"Default Title","offer_id":47073989558459,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/41502-Patti-Smith-Group_Live-in-Zurich-1.webp?v=1762562186"},{"product_id":"critical-laboratory","title":"Critical Laboratory - Thomas Hirschhorn","description":"\u003cp\u003eWritings by Thomas Hirschhorn, collected for the first time, trace the development of the artist's ideas and artistic strategies.\u003c\/p\u003e\n\u003cp\u003eFor the artist Thomas Hirschhorn, writing is a crucial tool at every stage of his artistic practice. From the first sketch of an idea to appeals to potential collaborators, from detailed documentation of projects to post-disassembly analysis, Hirschhorn's writings mark the trajectories of his work. This volume collects Hirschhorn's widely scattered texts, presenting many in English for the first time.\u003c\/p\u003e\n\u003cp\u003eIn these writings, Hirschhorn discusses the full range of his art, from works on paper to the massive \u003cem\u003ePresence and Production\u003c\/em\u003e projects in public spaces. “Statements and Letters” address broad themes of aesthetic philosophy, politics, and art historical commitments. “Projects” consider specific artworks or exhibitions. “Interviews” capture the artist in dialogue with Benjamin Buchloh, Jacques Rancière, and others. Throughout, certain continuities emerge: Hirschhorn's commitment to quotidian materials; the centrality of political and economic thinking in his work; and his commitment to art in the public sphere. Taken together, the texts serve to trace the artist's ideas and artistic strategies over the past two decades. \u003cem\u003eCritical Laboratory\u003c\/em\u003e also reproduces, in color, \u003cem\u003e33 Ausstellungen im öffentlichen Raum 1998–1989\u003c\/em\u003e, an out-of-print catalog of Hirschhorn's earliest works in public space.\u003c\/p\u003e\n\u003cp\u003eAuthor: Thomas Hirschhorn\u003cbr\u003e\nPublisher: The MIT Press\u003cbr\u003e\nPublished: 2013\u003cbr\u003e\nLanguage: English\u003cbr\u003e\nPages: 440\u003cbr\u003e\nDimensions: 7.5 x 1.2 x 9.25 in\u003c\/p\u003e","brand":"The MIT Press","offers":[{"title":"Default Title","offer_id":47075357491387,"sku":null,"price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/FA325708-48B7-4A3F-8C78-74647468B620.jpg?v=1764359214"},{"product_id":"the-classroom-hicham-benohoud","title":"The Classroom - Hicham Benohoud","description":"\u003cp\u003e\u003cem\u003eThe Classroom\u003c\/em\u003e explores control and discipline within post-colonial Moroccan identity through staged, uncanny classroom images created between 1994 and 2002.\u003c\/p\u003e\n\u003cp\u003eFrustrated by Morocco’s rigid educational system of the 1990s, art teacher Hicham Benohoud used photography as a pedagogical tool, creating a makeshift darkroom in his classroom to foster collaborative and hands-on learning, encouraging students to engage with creativity and identity.\u003c\/p\u003e\n\u003cp\u003eThe resulting images created with his students are marked by tension and alienation, blending absurdity, humour, and unease in their exquisitely framed and obliquely disarming compositions. In juxtaposing the monotony of the classroom with a visual exploration of both freedom and control, \u003cem\u003eThe Classroom\u003c\/em\u003e builds a playful and existential critique of postcolonial identity, where childlike creative gestures merge into a more ambiguous aesthetic that hints at oppression, violence and isolation.\u003c\/p\u003e\n\u003cp\u003eThis new publication by Loose Joints draws from the artist's original archive of negatives from the time, building the first comprehensive appraisal of Benohoud’s ground-breaking series while highlighting the modern relevance of the work in its engagement with performance, politics, pedagogy and the body decades ahead of its time.\u003c\/p\u003e\n\u003cp\u003eAuthor: Hicham Benohoud\u003cbr\u003e\n\u0026gt;Publisher: Loose Joints\u003cbr\u003e\nPublished: 2025\u003cbr\u003e\nLanguage: French\u003cbr\u003e\nPages: 144\u003cbr\u003e\nDimensions: 6.69 × 9.06 in\u003c\/p\u003e","brand":"Loose Joints","offers":[{"title":"Default Title","offer_id":47075416047803,"sku":null,"price":62.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/F31E1DB1-23D4-4989-B77E-06884CF9BEF3.jpg?v=1784427432"},{"product_id":"flashpoint-protest-photography-in-print","title":"Flashpoint! 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In 2020 — a year defined by introspection, caretaking, and the upheaval of the COVID-19 pandemic — Hubbard's mother began experiencing severe memory loss, later diagnosed as LATE, a brain disease mimicking the symptoms of Alzheimer's.\u003c\/p\u003e\n\u003cp\u003eIn collaboration with her mother, Hubbard transforms her family home — a space both overwhelming and deeply familiar — into a psychological landscape. These cluttered rooms  become a layered stage where her mother serves as partner in an ongoing exploration of the real and performed. Together, they create photographs that engage with daily rituals such as bathing, organising, and watching TV: compositions that blend seamlessly with unguarded intimacy. This photographic series ruptures the quotidian in an exploration of care work, memory, grief, and the entropy of loss.\u003c\/p\u003e\n\u003cp\u003eHubbard’s practice pushes against the flattening of the photographic image, critically engaging performance, sculptural elements, and the implicit power dynamics in the social contract between the photographer and her subject. This is the first time Hubbard has consistently photographed another person. Here, photography becomes more than documentation; it is an entanglement of touch and gesture; the domestic and the maternal; which confront the pain of losing the familiar essence of her mother. In addition Hubbard creates experimental body contact prints in the darkroom with her mother that trace the textures of skin and the physicality of aging. These tactile works materialise ability and the weight of time, celebrating the complexity of their relationship while questioning the roles of artist, subject, and collaborator. 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