{"title":"Books as diaries","description":null,"products":[{"product_id":"i-seem-to-live-the-new-york-diaries-1950-1969","title":"Jonas Mekas: I Seem To Live Vol. 1: The New York Diaries, 1950–1969","description":"\u003cp\u003e\u003cem\u003eI Seem to Live. The New York Diaries, 1950–2011\u003c\/em\u003e is Jonas Mekas’s key literary work. The first volume of this magnum opus, covering the period from 1950-69, appears posthumously one year after his death. It stands on an equal footing with his cinematic oeuvre, which he initially developed together with his brother Adolfas after their arrival in New York. moreIn 1954, the two brothers founded Film Culture magazine, and in 1958 Jonas began writing a weekly column for The Village Voice. It was in this period that his writing, films, and unflagging commitment to art began to establish him as a pioneer of American avant-garde cinema and the barometer of the New York art scene. “Jonas Mekas was a force of nature – an untiring artistic energy field. He disregarded genres and broke all the rules, always favoring pure expression and experimentation over formulas and expectations. He was \/ is one of the most inspiring artists I’ve ever encountered – the poets’ version of a Kung Fu Master. Long live Jonas Mekas!” –Jim Jarmusch\u003c\/p\u003e","brand":"SPECTOR BOOKS","offers":[{"title":"Default Title","offer_id":46613074608315,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/26412-I-Seem-to-Live_Jonas-Mekas-1.jpg?v=1748426237"},{"product_id":"i-seem-to-live-the-new-york-diaries-1969-2011","title":"Jonas Mekas - I Seem to Live Vol. 2: The New York Diaries, 1969–2011","description":"\u003cp\u003e\u003cem\u003eI Seem to Live: The New York Diaries, 1950–2011 \u003c\/em\u003eis Jonas Mekas’s key literary work. The first volume (1950–1969) of this magnum opus appeared posthumously in 2019. It ranks alongside his cinematic oeuvre, which he elaborated together with his more brother Adolfas after their arrival in New York in 1949. In the 1950s, Mekas began to shoot his first films, in the process developing an essayistic format that he would use as a diary to record his day-to-day observations. His writing, films, and unflagging commitment to art made him a pioneer of American avant-garde cinema and the barometer of the New York art scene. \u003cem\u003eI Seem to Live: The New York Diaries, 1969–2011, vol. 2\u003c\/em\u003e, the second and concluding volume of his diaries, contains an extensive index of names as well as a filmography and biography. Jonas Mekas (1922–2019) was born in Lithuania and arrived in New York in 1949 via post-war DP camps in Germany. Co-founder of the Anthology Film Archives, Mekas was a filmmaker, writer, and poet, as well as a tireless advocate for experimental art and a New York City legend.\u003c\/p\u003e\n\u003cp\u003ePublisher: Spector Books\u003cbr\u003ePublished: 2021\u003cbr\u003eOrigin: Germany\u003cbr\u003eLanguage: English\u003cbr\u003eDimensions: 22 × 15.1 × 4.5 cm\u003c\/p\u003e","brand":"SPECTOR BOOKS","offers":[{"title":"Default Title","offer_id":46613074641083,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/10325-32047-Jonas-Mekas-I-Seem-to-Live-Vol.-2-1.webp?v=1787107655"},{"product_id":"arash-fayez-apolis","title":"Apolis - Arash Fayez","description":"\u003cp\u003e\u003cem\u003eApolis\u003c\/em\u003e is a visual autobiography of Arash Fayez’s life in limbo between 2014 and 2018. The 312 pages comprise the artist’s complete US immigration dossier, from his arrest by law enforcement authorities to his voluntary departure from the country. \u003cem\u003eApolis\u003c\/em\u003e presents official documents overlaid with smartphone photos of everyday life captured during the same period. Photographs are “collaged” over sections of the immigration dossier, concealing personal and sensitive information. This juxtaposition creates a multilayered narrative, revealing contrasting perspectives—of those in power and of someone without any. The project stemmed from a conversation between the artist and his immigration lawyer, whose succinct explanation of his legal status encapsulated the situation’s complexity: “You’re not illegal, but you’re not legal either.”\u003c\/p\u003e\n\u003cp\u003eArash Fayez is an artist working with different forms of image-making, exploring notions of in-betweenness. He was born in Tehran, studied fine arts at California College of the Arts in San Francisco, and currently lives in Barcelona.\u003c\/p\u003e\n\u003cp\u003ePublisher: Spector Books\u003cbr\u003ePublished: 2024\u003cbr\u003eOrigin: Germany\u003cbr\u003eLanguage: English, Spanish, French\u003cbr\u003eDimensions: 30 × 26 × 2 cm\u003c\/p\u003e","brand":"SPECTOR BOOKS","offers":[{"title":"Default Title","offer_id":46613075165371,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/13052-38988-Apolis_Arash-Fayez-1.webp?v=1781278945"},{"product_id":"the-images-of-luis-barragan","title":"The Images of Luis Barragan","description":"\u003cp\u003eThis book presents a selection of the images collected by Mexican architect Luis Barragán (1902–1988) as part of a reference archive that he displayed on a lectern in the living room of his home. In an ever-changing arrangement of pictures, Barragán’s thinking was made visual. Because it was a personal archive from which the architect simply added or removed images over time, the 170 currently registered pictures are all that can provide us today with a kaleidoscopic insight into Barragán’s mind, itself a myriad network of personal relationships, professional influences, and formal obsessions. The publication is the manifestation of a project by Roger Willems and Mark Manders.\u003c\/p\u003e\n\u003cp\u003ePublisher: Roma Publications\u003cbr\u003ePublished: 2024\u003cbr\u003eOrigin: Netherlands\u003cbr\u003eLanguage: English\u003cbr\u003eDimensions: 27 × 18 × 1 cm\u003c\/p\u003e","brand":"Roma Publications","offers":[{"title":"Default Title","offer_id":46651421098171,"sku":null,"price":31.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/39633-The-Images-of-Luis-Barragan.jpg?v=1763569202"},{"product_id":"photographs-1978-1985-christine-furuya-gossler","title":"Photographs (1978-1985) - Christine Furuya-Gossler","description":"\u003cp\u003eChristine Furuya-Gössler captures her reality with an almost enigmatic distance. \u003ci\u003ePhotographs (1978–1985)\u003c\/i\u003e brings together seven years of photography, revealed for the very first time.\u003c\/p\u003e\n\u003cp\u003ePrimarily known through the eyes of her husband, Seiichi Furuya, for whom she was the muse, Christine began taking photographs in 1978, when they met.\u003c\/p\u003e\n\u003cp\u003eAs a photographer of reality, she offers a unique vision of her private life and her relationship with the world. Furuya-Gössler photographs her family, moments of sharing and celebration, and her travels, all while maintaining a distance from anyone who tries to capture her essence. The palpable melancholy that pervades her images provides a glimpse into her inner world, yet it does not allow us to fully grasp or understand it.\u003c\/p\u003e\n\u003cp\u003eComposed of more than 120 photographs, \u003cem\u003ePhotographs (1978–1985) \u003c\/em\u003eshowcases for the first time the work of Christine Furuya-Gössler, which has never been exhibited before. This monograph serves as the first posthumous collection of the photographer’s work, covering a creative period of seven years, interrupted by her death in 1985.\u003c\/p\u003e\n\u003cp\u003eAuthor: Christine Furuya-Gössler\u003cbr\u003ePublisher: Chose Commune\u003cbr\u003ePublished: 2025\u003cbr\u003eOrigin: France\u003cbr\u003eLanguage: English, French, Japanese\u003cbr\u003ePages: 208\u003cbr\u003eDimensions: 24 × 17 × 2 cm\u003c\/p\u003e","brand":"Chose Commune","offers":[{"title":"Default Title","offer_id":46779762180283,"sku":null,"price":52.32,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/41239-Photographs-1978-1985_Christine-Furuya-Goessler-1.webp?v=1781277685"},{"product_id":"ugliness-moshtari-hilal","title":"Ugliness - Moshtari Hilal","description":"\u003cp\u003eHow do power and beauty join forces to determine who is considered ugly? What role does that ugliness play in fomenting hatred? Moshtari Hilal, an Afghan-born author and artist who lives in Germany, has written a touching, intimate, and highly political book. Dense body hair, crooked teeth, and big noses: Hilal uses a broad cultural lens to question norms of appearance—ostensibly her own, but in fact everyone’s. She writes about beauty salons in Kabul as a backdrop to the U.S. invasion of Afghanistan, Darwin’s theory of evolution, Kim Kardashian, and a utopian place in the shadow of her nose. With a profound mix of essay, poetry, her own drawings, and cultural and social history of the body, Hilal explores notions of repulsion and attraction, taking the reader into the most personal of realms to put self-image to the test. Why are we afraid of ugliness?\u003c\/p\u003e\n\u003cp\u003eAuthor: Moshtari Hilal, Elisabeth Lauffer\u003cbr\u003ePublisher: New Vessel Press\u003cbr\u003ePublished: 2025\u003cbr\u003eOrigin: United States\u003cbr\u003eLanguage: English\u003c\/p\u003e","brand":"INVENTORY PRESS","offers":[{"title":"Default Title","offer_id":46838015951035,"sku":null,"price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/Ugliness_Moshtari-Hilal-1.webp?v=1784429464"},{"product_id":"lygia-clark-helio-oiticica-letters-1964-1974","title":"Lygia Clark - Hélio Oiticica: Letters 1964–1974","description":"\u003cp\u003eFrom 1964 to 1974, two leading artists of the Brazilian ‘Neo-Concrete Movement,’ Lygia Clark and Hélio Oiticica, had an extraordinary correspondence which has now been translated into English. The letters are, first and foremost, a testimony to their friendship and complicities, bonds that had grown since the mid-1950s, when they first met amid an atmosphere of huge creative ferment in Brazil. Their encounter turned out to be transcendental in the life and career of both, in a country that was, moreover, preparing for the surge of the so-called second Modernidade, the artistic development which, according to Ivo Mesquita, began in the 1950s and lasted until the 1980s.\u003c\/p\u003e\n\u003cp\u003ePublisher: Ivorypress\u003cbr\u003e\nPublished: 2024\u003cbr\u003e\nLanguage: English\u003cbr\u003e\nPages: 244\u003cbr\u003e\nDimension: 14 x 22 cm\u003c\/p\u003e","brand":"Ivorypress","offers":[{"title":"Default Title","offer_id":47629307773115,"sku":null,"price":37.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/website_lygia-clark-helio-oiticica-letters.jpg?v=1784989894"},{"product_id":"i-could-not-believe-it-the-1979-teenage-diaries-of-sean-delear-sean-delear","title":"I Could Not Believe It: The 1979 Teenage Diaries of Sean DeLear – Sean DeLear","description":"\u003cp\u003eA remarkable time capsule of Simi Valley, 1979, written before the author would become one of LA's most influential artists of subsequent decades.\u003c\/p\u003e\n\u003cp\u003eWhen Sean DeLear died prematurely in Vienna in 2017, his friends discovered—among other treasures—an extensive diary kept at the age of fourteen. Still living with his Christian parents in the notoriously racist Los Angeles suburb of Simi Valley, Sean wrote almost every day about crushes and hustling, waterbeds, blackmail, Donna Summer, gloryholes, racism, and shoplifting gay porn. DeLear would go on to become the frontman for the Los Angeles punk\/powerpop band Glue. He was a punk musician, visual artist, intercontinental scenester, video vixen, party host, marijuana farmer, and sometime-collaborator of artists such as Kembra Pfahler and Vaginal Davis. DeLear's forgotten diaries capture a moment in Los Angeles's underground and queer history when, as his friend the writer Cesar Padilla notes, “It wasn't cool at all to be trans, gay, queer or whatever. Those words weren't even in the vocabulary.” \u003cem\u003eI Could Not Believe It\u003c\/em\u003e, Padilla continues, “is a raw fearless innocent gay Black kid's journey coming out into life at an incredible pre-AIDS period. It's not cognizant of being literature. It's as naïve and forthcoming as it gets. It wasn't written with the desire to be published so Sean didn't hold back. Sean's goal was to be true to himself.”\u003c\/p\u003e\n\u003cp\u003eAuthor: Sean DeLear\u003cbr\u003e\nPublisher: Semiotext(e)\u003cbr\u003e\nPublished: 2023\u003cbr\u003e\nLanguage: English\u003cbr\u003e\nPages: 216\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"Default Title","offer_id":47745563885755,"sku":null,"price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/dyrm-nyc_website_i-could-not-believe-it-1979-teenage-diaries-sean-delear.jpg?v=1787447658"}],"url":"https:\/\/nyc.doyoureadme.de\/collections\/books-as-diaries.oembed","provider":"do you read me?!  nyc","version":"1.0","type":"link"}