{"title":"Books on bookmaking","description":null,"products":[{"product_id":"notes-on-book-design","title":"Notes on Book Design by Formal Settings","description":"\u003cp\u003eFifty perspectives on the book as a designed object, compiled by Siri Lee Lindskrog and Amanda-Li Kollberg, the duo behind Studio Formal Settings: Developed from a curated selection of books from Hopscotch Reading Room—a conceptual bookstore and event space in Berlin—each text focuses on a single book and explores its visual and haptic qualities, from materials and layout to binding and typography. “Our goal is to understand the role and potential of books through a design lens—and to capture what they communicate through their physical form.”\u003c\/p\u003e\n\u003cp\u003ePublisher:  Onomatopee\u003cbr\u003ePublished: 2025\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 360\u003cbr\u003eDimensions: 18 × 11 × 3 cm\u003c\/p\u003e","brand":"ONOMATOPEE","offers":[{"title":"Default Title","offer_id":46613073330363,"sku":null,"price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/36747-Notes-on-Book-Design-by-Formal-Settings-1.jpg?v=1763568734"},{"product_id":"open-books-vol-a-e","title":"Open Books Vol. A-E","description":"\u003cheader\u003e\u003c\/header\u003e\n\u003cp\u003e\u003cem\u003eOpen Books\u003c\/em\u003e is a project launched by Charlotte Cheetham and Sophie Demay in 2011, exploring the relationship between printed materials and exhibition formats. It unfolds through exhibitions, events, and a publication designed to examine this dynamic interaction. The project began with exhibitions at the Royal College of Art, London, and Cneai (National Art Center for Publishing and Image), Paris. Early volumes, printed as exhibition support media, evolved into catalogues documenting the events. In 2015, additional volumes expanded the research. Volume A-E serves as a hybrid: part catalogue, part archive. Through captions, images, invitations, and metaphorical bookmarks, it bridges book and exhibition, inviting readers to engage with this evolving dialogue.\u003c\/p\u003e\n\u003cp\u003ePublisher: Hato Press\u003cbr\u003ePublished: 2015\u003cbr\u003eOrigin: United Kingdom\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 341\u003cbr\u003eDimensions: 24 × 20 × 3 cm\u003c\/p\u003e","brand":"Hato Press","offers":[{"title":"Default Title","offer_id":46711292756155,"sku":null,"price":63.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/40909-Open-Books-Vol-A-E-1.webp?v=1750787707"},{"product_id":"workbooks-nigel-shafran","title":"Workbooks - Nigel Shafran","description":"\u003cp\u003eLoose Joints is proud to present \u003cem\u003eWorkbooks\u003c\/em\u003e: an extensive book that gathers together a creative lifetime of collecting, imagining, sketching and recording by British artist Nigel Shafran from 1984-2024. Below, writer David Chandler reflects on Shafran’s Workbooks:\u003c\/p\u003e\n\u003cp\u003eBooks have been the principal means through which Nigel Shafran’s photographic work has become known. He understands the gift of their materiality and he has invested heavily in how his books look and in how they are made. But Shafran’s investment in book making is also integral to the way he builds his ideas and projects. It is ingrained in a process that sees his photographs, soon after they are made, printed, edited and stuck into the pages of bound volumes that are part workbook, part diary, part aide-memoire.\u003c\/p\u003e\n\u003cp\u003eThese working documents are informal books, but, partly in preparation for decisions that will later define the actual publications, they are carefully assembled and richly embellished. Each is filled with drawings, notes and bits of everyday ephemera as well as photographs, and each has a particular aesthetic, with an easy feeling for material craft as well as visual simplicity and clarity that is characteristic of Shafran’s intuitive organizing principles and his entire working process.\u003c\/p\u003e\n\u003cp\u003ePublisher: Loose Joints\u003cbr\u003ePublished: 2024\u003cbr\u003eOrigin: France\u003cbr\u003eLanguage: English\u003cbr\u003eDimensions: 26 × 18 × 2.5 cm\u003c\/p\u003e","brand":"Loose Joints","offers":[{"title":"Default Title","offer_id":46758946341051,"sku":null,"price":71.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/13180-38873-Workbooks-Nigel-Shafran-1.webp?v=1787107328"},{"product_id":"books-as-art-practice","title":"Books as Art Practice: Notes from the Margins","description":"\u003cp\u003eIn a time of fast scrolling and constant distraction, Books as Art Practice shares 11 personal reflections on using books as a space for art, thought, and connection.\u003c\/p\u003e\n\u003cp\u003eFor SerraGlia, books are not just containers for finished work — they are the work: a process, a practice, and a way to slow down, notice, and create connection beyond the usual art world.\u003c\/p\u003e\n\u003cp\u003eThis pocket-sized zine gathers notes from years of personal practice and ongoing curiosity about what art can be in book form.\u003c\/p\u003e\n\u003cp\u003ePublished: 2025\u003cbr\u003eOrigin: Finland\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 30\u003cbr\u003eDimensions: 21 × 10 × 1 cm\u003c\/p\u003e","brand":"Other Editions","offers":[{"title":"Default Title","offer_id":46849553957051,"sku":null,"price":14.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/41323-Books-as-Art-Practice_Notes-from-the-Margins-1.webp?v=1784428976"},{"product_id":"library-of-artistic-print-on-demand","title":"Library of Artistic Print on Demand: Post-Digital Publishing in Times of Platform Capitalism","description":"\u003cp\u003ePrint on demand has revolutionized publishing. Digital printing and online platforms such as Blurb, Lulu and Kindle Direct Publishing allow anyone to publish work immediately and without financial risk, opening up spaces beyond the trade book world and ostensibly democratizing production. Today an entire subculture is exploring print on demand in search of new economies and publics, while also critically negotiating our digital present. \u003ci\u003eThe Library of Artistic Print on Demand\u003c\/i\u003e maps this experimental field for the first time, exploring its global spread, history, contradictions and political relevance through writings from international publishers and authors.\u003c\/p\u003e\n\u003cp\u003eContributors include: Hannes Bajohr, Clara Balaguer, Manon Bruet, Florian Cramer, Jasper Otto Eisenecker, J. 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Watson Library of the Metropolitan Museum in New York. The volume 'On collecting artists' books' pays homage to this important collection, born from Dematteis' experience as a scholar, publisher, and director of the Martano Gallery. It proposes a comparison between Italian and American artists who were ingaged in this practice, between the 1960s and the '70s. Indeed, in both countries different artistic movements have seen in this commonly used object not only an alternative and effective vehicle of content, but also a stimulating ground for experimentation. 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