{"title":"Culture \u0026 Society","description":"","products":[{"product_id":"real-review-16-autumn-2024","title":"Real Review #16 Autumn 2024","description":"\u003cp\u003eThere is no snow on Mount Fuji. Any hack will tell you the phase change is here, the restructuring of the world is underway. That would be a relief, like a broken fever. But they are wrong. We are still waiting. This period is merely the static on the skin, the rising pressure and building tension before the impending climax of a deluge. We live under a lavender sky, silver and green; this is the time of unsettled air, heavy with that metallic smell of the earth. Soon the wind will awake, driving the rain forward like a cloud of smoke. The tremendous powers by which our lives are encompassed are stirring.\u003c\/p\u003e\n\u003cp\u003eHow can we prepare for this transformation? We interview professor JONATHAN WHITE on the future as a political idea. 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When learning about internet history, we are taught to focus on engineering, the military-industrial complex, and the grandfathers who created the architecture and protocol, but the internet is not only a network of cables, servers, and computers. It is an environment that shapes and is shaped by its inhabitants and their use. The creation and use of the \u003cem\u003eCyberfeminism Index\u003c\/em\u003e is a social and political act. It takes the name cyberfeminism as an umbrella, complicates it, and pushes it into plain sight. Edited by designer, professor, and researcher Mindy Seu, it includes more than 700 short entries of radical techno-critical activism in a variety of media, including excerpts from academic articles and scholarly texts; descriptions of hackerspaces, digital rights activist groups, and bio-hacktivism; and depictions of feminist net art and new media art. 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It is nourished by hope and desire, but also by fear and disillusionment. Daily realities guide and narrate our dreams, but could this also work vice versa? Dreams are potent and give shape to the as yet unformed, what would arise if we started those of individuals and communities to shape a collective dream? When we dream together, we invent new paradigms, rules, and worlds, which could have a tangible impact on the present and initiate processes of transformation on a societal level. Would a common dream be able to reshape reality and change it?\u003c\/p\u003e\n\u003cp\u003eThis publication explores both night and day dreams, and the wish to reclaim the transformative power of imagination when it is fueled by a collective resolve to change present conditions and dismantle the status quo. The contributions of \u003ci\u003eDreams - of dreams of dreams\u003c\/i\u003e by writers, artists, poets and dreamers are poetic and personal, as all dreams are. 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Many feel impotent: they were told they had the tools to make the world a better place, but instead the world takes its toll on them. Beyond a haze of hype and bold claims lies a barren land of self-doubt and impostor syndrome. Although these ‘feels’ might be the Millennial norm, design culture reinforces them. In conferences we learn that “with great power comes great responsibility” but, when it comes to real-life clients, all they ask is to “make the logo bigger.” This book probes the disillusionment that permeates design. It tackles the deskilling effects provoked by digital semi-automation, the instances of ornamental politics fashioned to please the museum-educational complex, the nebulous promises of design schools. While reviving historical expressions of disenchantment, Silvio Lorusso examines present-day memes and social media rants. To depict this disheartening crisis, he crafts a new critical vocabulary for readers to build upon. What this exposé reveals is both worrying and refreshing: rather than producing a meaningful order, design might be just about inhabiting chaos. What was once a promising field rooted in problem-solving has become a problem in itself. The skill set of designers appears shaky and insubstantial – their expertise is received with indifference, their know-how is trivialised by online services, their work is compromised by a series of unruly external factors. 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While “ekphrasis” means literary descriptions of visual art, Economic Ekphrasis challenges scholars of art, finance, and management to see new aspects of financialized life that have been obscured by mainstream approaches.\u003c\/p\u003e\n\u003cp\u003eAuthor: Pierre Guillet de Monthoux, Erik Wikberg\u003cbr\u003ePublisher: Sternberg Press\u003cbr\u003ePublished: 2022\u003cbr\u003eOrigin: Germany\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 248\u003cbr\u003eDimensions: 19 × 12.5 × 2 cm\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":47073987428539,"sku":null,"price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/34031-Economic-Ekphrasis-1.jpg?v=1763568434"},{"product_id":"the-classroom-hicham-benohoud","title":"The Classroom - Hicham Benohoud","description":"\u003cp\u003e\u003cem\u003eThe Classroom\u003c\/em\u003e explores control and discipline within post-colonial Moroccan identity through staged, uncanny classroom images created between 1994 and 2002.\u003c\/p\u003e\n\u003cp\u003eFrustrated by Morocco’s rigid educational system of the 1990s, art teacher Hicham Benohoud used photography as a pedagogical tool, creating a makeshift darkroom in his classroom to foster collaborative and hands-on learning, encouraging students to engage with creativity and identity.\u003c\/p\u003e\n\u003cp\u003eThe resulting images created with his students are marked by tension and alienation, blending absurdity, humour, and unease in their exquisitely framed and obliquely disarming compositions. In juxtaposing the monotony of the classroom with a visual exploration of both freedom and control, \u003cem\u003eThe Classroom\u003c\/em\u003e builds a playful and existential critique of postcolonial identity, where childlike creative gestures merge into a more ambiguous aesthetic that hints at oppression, violence and isolation.\u003c\/p\u003e\n\u003cp\u003eThis new publication by Loose Joints draws from the artist's original archive of negatives from the time, building the first comprehensive appraisal of Benohoud’s ground-breaking series while highlighting the modern relevance of the work in its engagement with performance, politics, pedagogy and the body decades ahead of its time.\u003c\/p\u003e\n\u003cp\u003eAuthor: Hicham Benohoud\u003cbr\u003e\n\u0026gt;Publisher: Loose Joints\u003cbr\u003e\nPublished: 2025\u003cbr\u003e\nLanguage: French\u003cbr\u003e\nPages: 144\u003cbr\u003e\nDimensions: 6.69 × 9.06 in\u003c\/p\u003e","brand":"Loose Joints","offers":[{"title":"Default Title","offer_id":47075416047803,"sku":null,"price":62.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/F31E1DB1-23D4-4989-B77E-06884CF9BEF3.jpg?v=1784427432"},{"product_id":"fiction-nonfiction","title":"Bruno Zhu: Fiction Non Fiction (Volume 1)","description":"\u003cp\u003e\u003cem\u003eFiction Non Fiction\u003c\/em\u003e is a series of readers edited by Bruno Zhu that pairs voices in literary criticism with the material histories of labor, gender, and race. 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Turning a page becomes an interactive, quasi-cinematic encounter, calling to mind the intimacy of touching other people’s clothes, almost like a second skin, the textural care for things kept close to the body.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHand Book\u003c\/em\u003e includes essays, interviews, memoirs, and poetry that look at the relationship between art and social engagement. Observation, historical research, and fiction intersect, creating a patchwork of “what is” with a speculative, imagined “what was.” Historian and author Tera Hunter speaks to the importance of The Washing Society, a group of 3,000 Black women laundry workers who organized in Atlanta in 1881 for better pay and working conditions. Feminist historian Silvia Federici engages in a conversation about the meaning of reproductive labor and its relationship to laundry. Two leaders of a grassroots organization share their experience of immigration and activism. 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With contributions by Alex Alberto, John Baldessari, Marja Bloem, Myrna Bloom, Martin Browne, Alan Kennedy, David Kunzle, Joel Miller, Loren Miller, Kay Robertson, Laurent Sauerwein, Seth Siegelaub, Joan Simon, Kira Simon-Kennedy, Peter Sinclair, Steven Wright, and an introduction by Huan Hsu (written after a long conversation with Marja Bloem).\u003c\/p\u003e\n\u003cp\u003ePublisher: Kunstverein Publishing\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 216\u003cbr\u003e\u003c\/p\u003e","brand":"Kunstverein Publishing","offers":[{"title":"Default Title","offer_id":47214043562171,"sku":null,"price":21.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/3189CB3B-417B-4813-A03C-7625C882EAC8.jpg?v=1780803258"},{"product_id":"stitching-the-intifada-embroidery-and-resistance-in-palestine","title":"Stitching the Intifada: Embroidery and Resistance in Palestine","description":"\u003cp\u003eTatreez—elaborate hand-embroidery—is an ancient Palestinian craft characterized by remarkable beauty and complexity. 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So what is left in this wasteland? Well, Arbitrage for one; other monumental processes like Lifting, Holding, Dragging and Folding roam around above our heads.\u003cbr\u003e\u003cbr\u003eThere is a touch of destiny with this one. We have really pushed it as far as we can, and as we stay up all night trying to put the final touches on everything, the reverberations are starting to return. It’s been called, provocative, emancipatory, cutting-edge, and even, in some places, a bit caustic. Perhaps it is provocative because it begins to depart from Marxism as-we-know-it, and, with all the relevant necessary reverences applied, it attempts, dare I say, to step forward from the discourse of labour and production—not that what follows is somehow simpler, because it’s not. Yet as the authors contend, the world has already moved on, and capital, that same old capital, continues to do what it has always done, at myriad different scales, and in myriad worlds. 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That is what the authors wish to do here, to push the conversation to a new position, a position which understands DoorDash drivers, MMORPG gold farmers, and remote workers, accounts for AWS architecture, for memecoins and blockchain, for BlackRock, for the Internet (but for reals this time), for High-Frequency Trading and the LinkedIn economy, for Scale, for Airplane Miles and Club card points, and for ADHD \u0026amp; Adderall.\u003c\/p\u003e\n\u003cp\u003eThese two researchers have an enormous insight into contemporary economics, technology and finance, and yet they write as musicians, as the poetic theorists of antiquity, which, for us, makes this text epic. 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Whether in the sense of Dress, Clothing or Fashion, there is not much beyond the body itself that better signifies humanity than the act of adorning a body with garments, because we have no fur, or because of social codes, whether religious or class-oriented, because of beauty, or because of industrial capital; because, because, because.“The mounds of clothing that adorn my floor and the foot of my bed sometimes grow too large, and suddenly I am sinking into the matted mess of fabrics. On days like these I can’t help but feel that clothing, not just my clothing, but the very idea of clothing, is swallowing me up. Clothing is this immensity looming over me, yet somehow a microscopic itch in my brain, prodding me and twisting itself into knots–an irritation I accept for the temporary bliss of scratching it.”\u003c\/p\u003e\n\u003cp\u003eTo be human is to wake up, every morning, and to don the costume that completes your identity, for better or worse, by choice or by coercion. The task this book undertakes requires a particular kind of author, one who can recognise and sort through the contradictions on a theoretical level, but also someone who does not abstract the topic from their position as a subject—a critical book of fashion must be written by someone who lives it, someone who is passionate enough to write in good faith, because fashion isn’t just Gucci and Sweatshops—which themselves are rightly condemned for all kinds of reasons—because fashion itself is merely the tip of what may be one of the biggest, deepest ice bergs of all—Fashion is a philosophical black hole, one which drags everything into its infinite stomach, from semiotics to psychoanalysis, to art, design and craftsmanship, to economics and production chains, to speculation and historicizing, to algebra, journalism and so on.\u003c\/p\u003e\n\u003cp\u003eYet, this isn’t a philosophy book, because it is too down-to-earth and relatable; the book is just as celebratory and excited as it is critical. 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At that time, we had in mind the epochal shift from the paradigm of globalization, in which markets, trade and technology cross borders, to “the Planetary,” where we recognize that the whole Earth system embeds and entangles human civilization in its habitat.\u003c\/p\u003e\n\u003cp\u003eThis deeper awareness has been enabled by the emergence of a technological exoskeleton of satellites, sensors and cloud computation that expands the heretofore limited scope of human understanding of the world, repositioning our place in the natural order. Neither above nor apart from nature, we have now come to realize we are part and parcel of one interdependent organism comprised of multiple intelligences striving for sustainable equilibrium.\u003c\/p\u003e\n\u003cp\u003ePublisher: Berggruen Institute\u003cbr\u003e\nPublished: 2025\u003cbr\u003e\nLanguage: English\u003cbr\u003e\nPages: 206\u003c\/p\u003e","brand":"Noema","offers":[{"title":"Default Title","offer_id":47222888530107,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/0071BCAD-67D9-4E12-9592-4BA68F49713D.jpg?v=1784425600"},{"product_id":"dispute-plan-to-prevent-future-luxury-constitution","title":"Dispute Plan to Prevent Future Luxury Constitution","description":"\u003cp\u003eEqual parts Borges, Burroughs, Baudrillard, and Black Ops, \u003ci\u003eDispute Plan to Prevent Future Luxury Constitution\u003c\/i\u003echarts a treacherous landscape filled with paranoid master plans, failed schemes, and dubious histories.\u003c\/p\u003e\n\u003cp\u003eBenjamin H. Bratton’s kaleidoscopic theory-fiction links the utopian fantasies of political violence with the equally utopian programs of security and control. Both rely on all manner of doubles, models, gimmicks, ruses, prototypes, and shock-and-awe campaigns to realize their propagandas of the deed, threat, and image. Blurring reality and delusion, they collaborate on a literally psychotic politics of architecture.\u003c\/p\u003e\n\u003cp\u003eThe cast of characters in this ensemble drama of righteous desperation and tactical trickery shuttle between fact and speculation, action and script, flesh and symbol, death and philosophy: insect urbanists, seditious masquerades, epistolary ideologues, distant dissimulations, carnivorous installations, forgotten footage, branded revolts, imploding skyscrapers, sentimental memorials, ad-hoc bunkers, sacred hijackings, vampire safe-houses, suburban enclaves, big-time proposals, ambient security protocols, disputed borders-of-convenience, empty research campuses, and robotic surgery.\u003c\/p\u003e\n\u003cp\u003eIn this mosaic we glimpse a future city built with designed violence and the violence of design. As one ratifies the other, the exception becomes the ruler.\u003c\/p\u003e\n\u003cp\u003eAuthor: Benjamin H. 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This second edition of a collection of his essays whirls around the appearance of the unworldly in art, culture, history, and the present.\u003c\/p\u003e\n\u003cp\u003eOn the first edition of \u003ci\u003eForthcoming\u003c\/i\u003e published by Atelos in 2000:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e“Although sometimes couched in what looks like the language of critical theory, Toufic’s formal hybridity and poetic methods sharply distinguish \u003cem\u003eForthcoming\u003c\/em\u003e from most other titles on those shelves labeled Cultural, Poststructuralist, or Postcolonial Studies.… In his insistence upon treating the dead as a great part of the potential force of this world, Toufic plumbs the poetics of disaster and recuperation in ways that remain both incredibly suggestive and relentlessly radical.”\u003c\/p\u003e\n\u003cp\u003e—\u003ci\u003eVillage Voice Literary Supplement,\u003c\/i\u003e April 2001\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAuthor: Jalal Toufic\u003cbr\u003ePublisher: Sternberg Press\u003cbr\u003ePublished: 2014\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 296\u003cbr\u003e\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":47227204599995,"sku":null,"price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/2F9CBFC3-BD2F-4225-B16D-BC3116BEBF6F.jpg?v=1784400900"},{"product_id":"what-was-i-thinking","title":"What Was I Thinking?","description":"\u003cp\u003e\u003ci\u003eWhat Was I Thinking?\u003c\/i\u003e is an initiation into thinking. With a mind that is extremely analytical and yet extremely capable of rendering all kinds of knowledge and experiences permeable to each other, Jalal Toufic creates here a “summa,” but an open-ended one. He looks into the arts as if they were the privileged site of thinking, even when they inevitably fail, and still confronts his insights\/thoughts with texts taken from the traditional religions and mystics of the past. He has reached in this work an Olympian attitude—tuned to his basically Dionysian temperament—that announces the beginning of a detachment, of a remarkable serenity (a joy in thinking that Nietzsche had already understood).\u003c\/p\u003e\n\u003cp\u003eJalal Toufic is today, and has been for some time, the most original thinker on the planet. He assumes the challenge stated by Heidegger in \u003ci\u003eWhat Is Called Thinking?\u003c\/i\u003e by his own thinking (by writing this book). To imagine the best possible worlds, to go into uncharted territory; these worlds are eminently those of the arts (as he practices them, as he delves into their layers, their paradoxes, their darings, ever admitting their maddening inbuilt inaccessibility). His kind of an endeavor takes a tremendous courage. And a unique freedom: letting his mind go into unpredicted ascertainments, so that his writing “does not fall apart two days later.” Situated somewhere close to the spirit of Einstein’s General Theory of Relativity and Nietzsche’s breakthroughs, we can say that Jalal Toufic is indeed a “destiny.”\u003c\/p\u003e\n\u003cp\u003e—Etel Adnan\u003c\/p\u003e\n\u003cp\u003eAuthor: Jalal Toufic\u003cbr\u003ePublisher: Sternberg Press\u003cbr\u003ePublished: 2017\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 280\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":47227218264251,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/06159916-D15C-4E71-B347-5BF026C119B5.jpg?v=1784425256"},{"product_id":"culture-class","title":"Culture Class","description":"\u003cp\u003eIn this collection of essays Martha Rosler embarks on a broad inquiry into the economic and historical precedents for today’s soft ideology of creativity, with special focus on its elaborate retooling of class distinctions. In the creative city, the neutralization or incorporation of subcultural movements, the organic translation of the gritty into the quaint, and the professionalization of the artist combine with armies of eager freelancers and interns to constitute the friendly user interface of a new social sphere in which, for those who have been granted a place within it, an elaborate retooling of traditional markers of difference has allowed class distinctions to be either utterly dissolved or willfully suppressed. The result is a handful of cities selected for revitalization rather than desertion, where artists in search of cheap rent become the avant-garde pioneers of gentrification, and one no longer asks where all of this came from and how. And it may be for this reason that, for Rosler, it becomes all the more necessary to locate the functioning of power within this new urban paradigm, to find a position from which to make it accountable to something other than its own logic.\u003c\/p\u003e\n\u003cp\u003eAuthor: Martha Rosler\u003cbr\u003e\nPublisher: Sternberg Press\u003cbr\u003e\nPublished: 2013\u003cbr\u003e\nLanguage: English\u003cbr\u003e\nPages: 232\u003cbr\u003e\nDimensions: 10.8 x 17.8 cm\u003c\/p\u003e","brand":"e-flux","offers":[{"title":"Default Title","offer_id":47227221606587,"sku":null,"price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/7F182FDD-6E2B-4DBD-A2FB-BA92CC1FE597_eeab02b4-22a3-4451-ae01-0262d813a05b.jpg?v=1784425141"},{"product_id":"navigation-beyond-vision","title":"Navigation Beyond Vision","description":"\u003cp\u003eNavigation begins where the map becomes indecipherable. Navigation operates on a plane of immanence in constant motion. Instead of framing or representing the world, the art of navigation continuously updates and adjusts multiple frames from viewpoints within and beyond the world. Navigation is thus an operational practice of synthesizing various orders of magnitude.\u003c\/p\u003e\n\u003cp\u003eOnly a few weeks prior to his untimely death in 2014, Harun Farocki briefly referred to navigation as a contemporary challenge to montage—editing distinct sections of film into a continuous sequence—as the dominant paradigm of techno-political visuality. For Farocki, the computer-animated, navigable images that constitute the twenty-first century’s “ruling class of images” call for new tools of analysis, prompting him to ask: How does the shift from montage to navigation alter the way images—and art—operate as models of political action and modes of political intervention?\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eNavigation Beyond Vision\u003c\/i\u003e originated in a conference organized by the Harun Farocki Institut (HaFI) and e-flux at the Haus der Kulturen der Welt (HKW) in Berlin in 2019.\u003c\/p\u003e\n\u003cp\u003eAuthor: Various\u003cbr\u003ePublisher: Sternberg Press\u003cbr\u003ePublished: 2023\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 296\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":47227231666363,"sku":null,"price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/FAFDDF0F-2978-475D-B342-F83F78A5DBE1.jpg?v=1784401224"},{"product_id":"accumulation-the-art-architecture-and-media-of-climate-change","title":"Accumulation: The Art, Architecture, and Media of Climate Change","description":"\u003cp\u003eThe current epoch is one of accumulation: not only of capital but also of raw, often unruly material, from plastic in the ocean and carbon in the atmosphere to people, buildings, and cities. Alongside this material growth, image-making practices embedded within the fields of art and architecture have proven to be fertile, mobile, and capacious. Images of accumulation help open up the climate to cultural inquiry and political mobilization and have formed a cultural infrastructure focused on the relationships between humans, other species, and their environments.\u003c\/p\u003e\n\u003cp\u003eThe essays in \u003cem\u003eAccumulation \u003c\/em\u003eaddress this cultural infrastructure and the methodological challenges of its analysis. They offer a response to the relative invisibility of the climate now seen as material manifestations of social behavior. Contributors outline opportunities and ambitions of visual scholarship as a means to encounter the challenges emergent in the current epoch: how can climate become visible, culturally and politically? Knowledge of climatic instability can change collective behavior and offer other trajectories, counteraccumulations that draw the present into a different, more livable, future.\u003c\/p\u003e\n\u003cp\u003eAuthor: Various\u003cbr\u003e\nPublisher: Sternberg Press\u003cbr\u003e\nPublished: 2022\u003cbr\u003e\nLanguage: English\u003cbr\u003e\nPages: 272\u003cbr\u003e\nDimensions: 7 x 10 in\u003c\/p\u003e","brand":"e-flux","offers":[{"title":"Default Title","offer_id":47227235401915,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/CDD49171-3408-4AA6-9FC6-512BBE71B93D.jpg?v=1784411508"},{"product_id":"practicing-the-good-desire-and-boredom-in-soviet-socialism","title":"Practicing the Good: Desire and Boredom in Soviet Socialism","description":"\u003cp\u003eBy means of the philosophical and politico-economical consideration of Soviet socialism of the 1960s and 1970s, this book manages to reveal the hidden desire for capitalism in contemporaneous anticapitalist discourse and theory. The research is marked by a broad cross-disciplinary approach based on political economy, philosophy, art theory, and cultural theory. \u003cem\u003ePracticing the Good: Desire and Boredom in Soviet Socialism\u003c\/em\u003e, a philosophical consideration of Soviet socialism, is not meant simply to revisit the communist past. It unravels the epistemes generated by socialist society and its political economy to witness to what extent certain zones where capitalism’s domination is resisted—the zones of anti-capitalist critique in continental thought since the 1960s, institutions of civil society, and present theoretical provisions of emancipation—are in fact permeated by an unconscious form of capitalism and thus unwittingly affirm the capitalist condition.\u003c\/p\u003e\n\u003cp\u003eAuthor: Keti Chukhrov\u003cbr\u003e\nPublisher: Sternberg Press\u003cbr\u003e\nPublished: 2020\u003cbr\u003e\nLanguage: English\u003cbr\u003e\nPages: 304\u003cbr\u003e\nDimensions: 5.5 x 0.8 x 8.5 in\u003c\/p\u003e","brand":"e-flux","offers":[{"title":"Default Title","offer_id":47227237040315,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/62BDE5F8-0B1B-45DA-81FA-0E15F9ADFB6A.jpg?v=1784424905"},{"product_id":"routes-worlds","title":"Routes\/Worlds","description":"\u003cp\u003eElizabeth A. Povinelli maps the creation and dismantling of worlds formed by the twinning of historical progress and settler colonialism—as a unity in events and a contradiction in ideology. Even if corporations and nation-states now collude in the same Ponzi schemes, they still continue to transform space and time. At the receiving end of the ideological exhaust pipe, where transformation is inherited as deformation, the diagram flips to place brutality and existential exhaustion at the beginning. But the beginning of what? How about a new beginning, starting with modes of survival and persistence against, and within, a world built from deferred promises? This is a world that many in the imperial hemisphere are only starting to realize they’ve known for longer than they want to admit.\u003c\/p\u003e\n\u003cp\u003eAuthor: Elizabeth Povinelli\u003cbr\u003e\nPublisher: Sternberg Press\u003cbr\u003e\nPublished: 2022\u003cbr\u003e\nLanguage: English\u003cbr\u003e\nPages: 224\u003cbr\u003e\nDimensions: 10.8×17.7 cm\u003c\/p\u003e","brand":"e-flux","offers":[{"title":"Default Title","offer_id":47227239301307,"sku":null,"price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/CA975F44-A4A6-4074-B542-C7C77415668A.jpg?v=1784411570"},{"product_id":"moscow-symposium-conceptualism-revisited","title":"Moscow Symposium: Conceptualism Revisited","description":"\u003cp\u003eBeyond the view that multiple, globally dispersed conceptual art practices provide a heterogeneity of cultural references, Andrei Monastyrski and Collective Actions propose much more: other dimensions altogether, other spatiotemporal politics, other timescales, other understandings of matter, other forms of life—not only as works, but as a basic condition for being able to perceive artworks in the first place. Could it be that the Moscow Conceptualists were so elusive or saturated with the particularities of life in a specific economic and intellectual culture that they precluded integration into a broader art historical narrative? If so, then their simultaneously modest and radical approach to form may present a key to understanding the resilience and flexibility of a more general sphere of global conceptualisms that anticipate, surpass, or even bend around their purported origins in canonical European and American regimes of representation, as well as what we currently understand to be the horizon of artistic practice.\u003c\/p\u003e\n\u003cp\u003ePublisher: Sternberg Press\u003cbr\u003e\nPublished: 2012\u003cbr\u003e\nLanguage: English\u003cbr\u003e\nPages: 176\u003cbr\u003e\nDimensions: 10.8 × 17.8 cm\u003c\/p\u003e","brand":"e-flux","offers":[{"title":"Default Title","offer_id":47227250475195,"sku":null,"price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/06996AAB-E46F-49C4-9A13-0A198278E7FF.jpg?v=1784410311"}],"url":"https:\/\/nyc.doyoureadme.de\/collections\/culture-society.oembed","provider":"dyrm?! x VP, Inc. 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