{"title":"Culture \u0026 Society","description":"","products":[{"product_id":"real-review-16-autumn-2024","title":"Real Review #16 Autumn 2024","description":"\u003cp\u003eThere is no snow on Mount Fuji. Any hack will tell you the phase change is here, the restructuring of the world is underway. That would be a relief, like a broken fever. But they are wrong. We are still waiting. This period is merely the static on the skin, the rising pressure and building tension before the impending climax of a deluge. We live under a lavender sky, silver and green; this is the time of unsettled air, heavy with that metallic smell of the earth. Soon the wind will awake, driving the rain forward like a cloud of smoke. The tremendous powers by which our lives are encompassed are stirring.\u003c\/p\u003e\n\u003cp\u003eHow can we prepare for this transformation? We interview professor JONATHAN WHITE on the future as a political idea. 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When learning about internet history, we are taught to focus on engineering, the military-industrial complex, and the grandfathers who created the architecture and protocol, but the internet is not only a network of cables, servers, and computers. It is an environment that shapes and is shaped by its inhabitants and their use. The creation and use of the \u003cem\u003eCyberfeminism Index\u003c\/em\u003e is a social and political act. It takes the name cyberfeminism as an umbrella, complicates it, and pushes it into plain sight. Edited by designer, professor, and researcher Mindy Seu, it includes more than 700 short entries of radical techno-critical activism in a variety of media, including excerpts from academic articles and scholarly texts; descriptions of hackerspaces, digital rights activist groups, and bio-hacktivism; and depictions of feminist net art and new media art. Both a vital introduction for laypeople and a robust resource guide for educators, \u003cem\u003eCyberfeminism Index\u003c\/em\u003e—an anti-canon, of sorts—celebrates the multiplicity of practices that fall under this imperfect categorization and makes visible cyberfeminism’s long-ignored origins and its expansive legacy.\u003c\/p\u003e\n\u003cp\u003eAuthor: Mindy Seu\u003cbr\u003ePublisher: Inventory Press\u003cbr\u003ePublished: 2022\u003cbr\u003eOrigin: United States\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 606\u003cbr\u003eLength × Width × Height: 24 × 17 × 5 cm\u003c\/p\u003e","brand":"INVENTORY PRESS","offers":[{"title":"Default Title","offer_id":46613071429819,"sku":null,"price":34.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/34996-Cyberfeminism-Index---Mindy-Seu-1.jpg?v=1748194842"},{"product_id":"leaked-recipes-the-cookbook","title":"Leaked Recipes: The Cookbook","description":"\u003cp\u003eThis book is the result of a rigorous and systematic investigation by Demetria Glace through the major leaks of the past 15 years, more focusing on the theme of cooking. 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What this exposé reveals is both worrying and refreshing: rather than producing a meaningful order, design might be just about inhabiting chaos. What was once a promising field rooted in problem-solving has become a problem in itself. The skill set of designers appears shaky and insubstantial – their expertise is received with indifference, their know-how is trivialised by online services, their work is compromised by a series of unruly external factors. 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It intends to encourage studying art beyond national constraints, cultural dominances, and hierarchies: a voyage similar to that of culinary discovery.more We bring a variety of tastes and flavors to the table, and break new ground by allowing innovative, contrary, queer, idiosyncratic practices and discourses, theories and topics, methods, and concerns to access art in its global dimensions. Researchers, curators and artists with a special interest in this topical issue were invited to present, develop, outline, and contemplate compelling frames of reference, both theoretical and artistic, in order to arrive at a true ‘world art studies’. Their contributions are structured in seven thematic fields: Undecidability and Spectatorship, Collectives, Circulations, Exhibitions, Artists at Work, Postcolonial Perspectives, and Deep Art History. We invite the reader to explore the vast supply of dishes, to taste and test the aromas and to feast. 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Presenting new and historical material, the Reader narrates a series of stories of solidarity across geographies in relation to emergencies connected to ecocide, femicide, genocide, migration, neocolonialism, inter-religious conflicts, class divisions and heteronormativity, amongst others. 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Art is a form of thinking and dialoguing; it is an unusual source of knowledge. In this publication the reader is introduced to Art-Based Learning, a method that enables the spectator to explore these dialogues, and ‘converse’ with art works. Art-Based Learning can refer both to learning about art as a source and learning about art as a means, e.g. the way art can generate insight into the significance of learning itself. The method offers the possibility to seek fresh correlations in a dialogue with the art work. Jeroen Lutters uses three triptychs to demonstrate, step by step, how relevant questions can produce a different perception and understanding, and how works of art, as ‘speaking objects’, can produce new experiences or new knowledge. \u003cem\u003eIn the Shadow of the Art Work\u003c\/em\u003e is intended for students and teachers of art, art history, drama and cinema, literature, philosophy, anthropology, theology and interdisciplinary studies. 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Notoriously, the art collector Peter Brant commissioned the wickedly satirical Italian American artist Maurizio Cattelan to make a sculpture of his wife, the supermodel Stephanie Seymour. The work was technically called Stephanie, but became known in the industry as ‘Trophy Wife’. With the sculpture valued at 1.5 million dollars, while Seymour herself is purportedly worth one hundred million dollars, you might be tempted to wonder which has the claim to be the ‘better’ work of art.\u003c\/p\u003e\n\u003cp\u003eIn this illustrated essay, critic Philippa Snow asks whether all great, or iconic, celebrities can be considered technically self-authored artworks in and of themselves. 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Over time, he compiled and narratively shaped his father’s memories, then photographed the sites where they occurred. \u003cem\u003eBorder Documents\u003c\/em\u003e is a personal archive of ordinary events that reveals how emotions become attached to public spaces. Most importantly, the book stands apart from the reductive media coverage of the border that focuses solely on the violence caused by drug trafficking, illegal migration, and corruption. The different temporalities expressed through the mediums of photography and writing produce a vivid account of a territory that plays a vital role in global trade. Oscillating between the personal and the political, \u003cem\u003eBorder Documents\u003c\/em\u003e reminds us, as the critic Edward Soja once remarked, that biographies are geographies as much as they are histories.\u003c\/p\u003e\n\u003cp\u003eArturo Soto is a Mexican photographer and writer living in Los Angeles. 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At once radiant and repellent, and often richly symbolic, it has always assumed a particular importance in relation to the self, history, and society.\u003c\/p\u003e\n\u003cp\u003eEdited by Melissa Keys, Hair Pieces explores the complex significance of hair in contemporary culture through a selection of recent Australian and international works of art. Encompassing a wide range of practices including drawing, painting, performance, photography, installation, text, and more, this collection of works reveals interwoven dialogues tracing identity, spirituality, agency, and resistance. Published by Perimeter Editions, this book – and the 2024 exhibition that preceded it at Heide Museum of Modern Art – examines the myriad ways in which artists utilise hair to investigate and conjure generative and beguiling possibilities encompassing growth, empowerment and transformation.\u003c\/p\u003e\n\u003cp\u003eAuthor: Melissa Keys (Ed.)\u003cbr\u003ePublisher: Perimeter Editions\u003cbr\u003ePublished: 2025\u003cbr\u003eOrigin: Australia\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 139\u003cbr\u003eDimensions: 24 × 15 × 2 cm\u003c\/p\u003e","brand":"Perimeter Editions","offers":[{"title":"Default Title","offer_id":46849607041211,"sku":null,"price":54.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/41033-Hair-Pieces-1.webp?v=1781278035"},{"product_id":"an-active-ear-henry-martin","title":"An Active Ear: Henry Martin","description":"\u003cp\u003eIn the first publication dedicated to the work of Afro-American writer, critic, curator and translator Henry Martin (Philadelphia, US 1942—South Tyrol, Italy 2022), Emanuele Guidi gathers a selection of texts by Martin, whose personal archive has been conserved by collector Egidio Marzona and his Archiv der Avantgarden (Archive of the Avant-Gardes) in Dresden. The book is conceived as research about Henry Martin’s role in and contribution to the Italian, European and US cultural and artistic world, through a selection of his published and unpublished articles, essays, conversations, and personal correspondences from 1965 until his recent passing. The volume reconstructs the map of relationships and experiences in which Martin was activelyinvolved and that makes him a rare interlocutor with different radical artistic movements across Europe and US, including Fluxus, Mail Art, Concrete Poetry, Arte Povera and Conceptual Art. His lifelong friendship with a variety of artists and intellectuals, his practice as translator, and his life choice of leaving the main centers to move permanently in the Italian Alps in 1971, are discussed by newly commissioned contributions which help in thinking Martin’s life and work from a contemporary perspective at the intersection of ecology and a sustainable working culture.\u003c\/p\u003e\n\u003cp\u003ePublisher: Spector Books\u003cbr\u003e\nPublished: 2025\u003cbr\u003e\nLanguage: English\u003cbr\u003e\nPages: 511\u003cbr\u003e\nDimensions: 6.69 x 1.57 x 9.45 in\u003c\/p\u003e","brand":"SPECTOR BOOKS","offers":[{"title":"Default Title","offer_id":46974150770875,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/48A62570-ADAC-4605-BFBF-CFDF9EF1AF8D.jpg?v=1784428231"}],"url":"https:\/\/nyc.doyoureadme.de\/collections\/culture-society.oembed?page=4","provider":"do you read me?!  nyc","version":"1.0","type":"link"}