{"title":"Graphic Design \u0026 Typography","description":null,"products":[{"product_id":"glossary-of-undisciplined-design","title":"Glossary of Undisciplined Design","description":"\u003cp\u003eD for Dummy Woman, M for Monster’s Tools, S for Style Defense, U for Unstable Signs – the Glossary of Undisciplined Design looks into undisciplinarity as a feminist unpacking of the field of graphic design, of dogmatic rules, discriminatory structures and a particularly one-sided canon. Carried by a decidedly fragmentary and collective backbone, the GUD handbook combines a multitude of theories and narratives of varying densities – from visual essay, hands-on experiment, interview or advertorial, to poem, speculative tale and academic writing. With around 55 contributions by 20 international designers, activists, educators and theorists, the Glossary of Undisciplined Design explores role models, tools and dissent\u003c\/p\u003e\n\u003cp\u003ePublisher: Spector Books\u003cbr\u003ePublished: 2021\u003cbr\u003eOrigin: Germany\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 311\u003cbr\u003eLength × Width × Height: 17,5 × 11,5 × 2,2 cm\u003c\/p\u003e","brand":"SPECTOR BOOKS","offers":[{"title":"Default Title","offer_id":46613074706619,"sku":null,"price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/30431-Glossary-of-Undisciplined-Design-1.jpg?v=1784431788"},{"product_id":"caps-lock-how-capitalism-took-hold-of-graphic-design-and-how-to-escape-from-it","title":"CAPS LOCK: How Capitalism Took Hold of Graphic Design, and How to Escape from It","description":"\u003cp\u003eCapitalism could not exist without the coins, notes, documents, graphics, interfaces, branding and advertisements; artefacts that have been (partly) created by graphic designers. Even anti-consumerist strategies such as social design and speculative design are being appropriated within capitalist societies to serve economic growth. It seems that design is locked in a system of exploitation and profit, a cycle that fosters inequality and the depletion of natural resources. CAPS LOCK uses clear language and striking visual examples to show how graphic design and capitalism are inextricably linked. The book contains many case studies of designed objects related to capitalist societies and cultures, and also examines how the education and professional practice of (graphic) designers supports the market economy and how design practice is caught within that very system. The content of CAPS LOCK is structured in chapters with titles of professions that designers can occupy (such as Educator; Engineer, Hacker, Futurist, Activist, etc.). These titles respond to the importance of not just how designers make work, but also how they perform daily economic and social roles. Each chapter is divided into coherent articles in which diverse examples of objects and design practices are relayed. The book also features examples of radical design collectives, that work towards alternatives between design, community and reciprocity.\u003c\/p\u003e\n\u003cp\u003eAuthor: Ruben Pater\u003cbr\u003e\nPublisher: Valiz\u003cbr\u003e\nPublished: 2021\u003cbr\u003e\nLanguage: English\u003cbr\u003e\nPages: 552\u003cbr\u003e\nDimensions: 19 × 12 × 4 cm\u003c\/p\u003e","brand":"VALIZ","offers":[{"title":"Default Title","offer_id":46613075591355,"sku":null,"price":27.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/10480-31781-Caps-Lock_Ruben-Pater-1.webp?v=1765481435"},{"product_id":"macguffin-13-the-letter","title":"MacGuffin #13 2023 - The Letter","description":"\u003cp\u003e‘The Letter’ does not relate to the alphabet alone but to language, to code, to gestures, to media, and more. The letter is a magical symbol, and at the same time a very ordinary thing. It is embedded in specific culture and dependent on the reproduction technologies available at the time. The context is what makes it interesting: the letter is created, used, discarded, forgotten, and (sometimes) revived. Find out about the history of Scrabble, embracing graffiti, how humans perform letters, the culture of protest letters, the meaning of memes, typography that resists the domination of Western typefaces, the narrow binarity of the French language, the left-handed experience, and more.\u003c\/p\u003e\n\u003cp\u003ePublished: 2023\u003cbr\u003eOrigin: Netherlands\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 224\u003cbr\u003eDimensions: 27 × 21 × 1.5 cm\u003c\/p\u003e","brand":"Macguffin","offers":[{"title":"Default Title","offer_id":46613083226299,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/14049-37145-Macguffin-13-2023-The-Letter-1.webp?v=1779133960"},{"product_id":"open-books-vol-a-e","title":"Open Books, Vol. A-E","description":"\u003cheader\u003e\u003c\/header\u003e\n\u003cp\u003e\u003cem\u003eOpen Books\u003c\/em\u003e is a project launched by Charlotte Cheetham and Sophie Demay in 2011, exploring the relationship between printed materials and exhibition formats. It unfolds through exhibitions, events, and a publication designed to examine this dynamic interaction. The project began with exhibitions at the Royal College of Art, London, and Cneai (National Art Center for Publishing and Image), Paris. Early volumes, printed as exhibition support media, evolved into catalogues documenting the events. In 2015, additional volumes expanded the research. Volume A-E serves as a hybrid: part catalogue, part archive. Through captions, images, invitations, and metaphorical bookmarks, it bridges book and exhibition, inviting readers to engage with this evolving dialogue.\u003c\/p\u003e\n\u003cp\u003ePublisher: Hato Press\u003cbr\u003ePublished: 2015\u003cbr\u003eOrigin: United Kingdom\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 341\u003cbr\u003eLength × Width × Height: 24 × 20 × 3 cm\u003c\/p\u003e","brand":"Hato Press","offers":[{"title":"Default Title","offer_id":46711292756155,"sku":null,"price":63.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/40909-Open-Books-Vol-A-E-1.webp?v=1750787707"},{"product_id":"slanted-45-sex","title":"Slanted 45: Sex","description":"\u003cp\u003eA thought-provoking journey through themes of gender, body image, and sexuality, created in partnership with Munich’s Archive Artist Publications (AAP), directed by artist and archivist Hubert Kretschmer. This edition of Germany's \u003cem\u003eSlanted\u003c\/em\u003e draws from one of the world’s most extensive private collections of artist publications, home to over 89,988 rare zines, booklets, posters, and other printed matter collected since the 1980s. The issue showcases zines, booklets, posters, and publications that engage with body politics, self-image, and identity from contemporary and historical perspectives.\u003c\/p\u003e\n\u003cp\u003eAs visual narratives shape norms, marginalized bodies—non-binary, queer, disabled, racialized—are often underrepresented or portrayed in tokenized ways. \u003cem\u003eSlanted Magazine #45—Sex\u003c\/em\u003e invites readers to question these conventions and encourages a critical look at the media‘s role in representing bodies.\u003c\/p\u003e\n\u003cp\u003eThrough provocative visuals and diverse stories, \u003cem\u003eSlanted Magazine #45—Sex\u003c\/em\u003e opens the door to a deeper, multifaceted dialogue on bodies and belonging.\u003c\/p\u003e\n\u003cp\u003ePublisher: Slanted\u003cbr\u003ePublished: 2025\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 224\u003cbr\u003eDimensions: 24 × 16 × 2 cm\u003c\/p\u003e","brand":"Slanted","offers":[{"title":"Default Title","offer_id":46711301505211,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/40823-Slanted-45_Sex-1.webp?v=1762647767"},{"product_id":"graphic-languages","title":"Graphic Languages","description":"\u003cp\u003e\u003cem\u003eGraphic Languages\u003c\/em\u003e is a visual journey through the world’s most influential writing systems—developed in collaboration with international type designers and script experts. At its core is the visual essence of each script: its distinctive forms, cultural expression, and power as a fundamental tool of human communication. With a strong focus on design, \u003cem\u003eGraphic Languages\u003c\/em\u003e offers an inspiring introduction to the rich diversity of global writing systems. \u003cem\u003eGraphic Languages\u003c\/em\u003e is also a valuable resource for designers—whether students, professionals, or educators. It includes further reading, expert contacts, and contextual insights that deepen the understanding of the history, culture, and subtleties of writing systems worldwide.\u003c\/p\u003e\n\u003cp\u003ePublisher: Slanted\u003cbr\u003e\nPublished: 2025\u003cbr\u003e\nLanguage: English\u003cbr\u003e\nPages: 464\u003cbr\u003e\nDimensions: 23 × 17 × 4 cm\u003c\/p\u003e","brand":"Slanted","offers":[{"title":"Default Title","offer_id":46729437937851,"sku":null,"price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/40924-Graphic-Languages-1.webp?v=1762562079"},{"product_id":"a-dictionary-of-color-combinations-seigensha","title":"A Dictionary of Color Combinations","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSanzo Wada (1883-1967) was an artist, teacher, costume and kimono designer during a turbulent time in avant-garde Japanese art and cinema. Wada was ahead of his time in developing traditional and Western influenced color combinations, more helping to lay the foundations for contemporary color research. Based on his original 6-volume work from the 1930s, this book offers 348 color combinations, as attractive and sensuous as the book’s own design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAuthor: Sanzo Wada\u003cbr\u003ePublisher: Seigensha\u003cbr\u003ePublished: 2017\u003cbr\u003eOrigin: Japan\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 354\u003cbr\u003eDimensions: 5.91 × 4.33 × 0.59 cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Seigensha","offers":[{"title":"Default Title","offer_id":46797733986491,"sku":null,"price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/11198-A-Dictionary-of-Color-Combinations-1.jpg?v=1760651822"},{"product_id":"karel-martens-12-a4-wallpaper","title":"Karel Martens 12\/A4 Wallpaper","description":"\u003cp\u003eRenowned for his inventiveness, and his playful and experimental approach, Karel Martens is also resourceful, able to accomplish a lot with very little. Selected from 216 variations, this hand-picked unique set of twelve A4 sheets can be composed as wallpaper. A special edition release, the sets are released on the occasion of the exhibition \u003cem\u003eKarel Martens – Unbound\u003c\/em\u003e at the Stedelijk Museum in Amsterdam, the first major retrospective of one of the most influential post-war graphic designers of the Netherlands.\u003c\/p\u003e\n\u003cp\u003ePublisher: Roma\u003cbr\u003ePublished: 2025\u003cbr\u003eLanguage: English\u003cbr\u003eDimensions: 30 × 21 × 1 cm\u003c\/p\u003e","brand":"Roma Publications","offers":[{"title":"Default Title","offer_id":46849543078075,"sku":null,"price":32.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/41332-Karel-Martens-12-A4-Wallpaper-1.webp?v=1762562129"},{"product_id":"books-as-art-practice","title":"Books as Art Practice: Notes from the Margins","description":"\u003cp\u003eIn a time of fast scrolling and constant distraction, Books as Art Practice shares 11 personal reflections on using books as a space for art, thought, and connection.\u003c\/p\u003e\n\u003cp\u003eFor SerraGlia, books are not just containers for finished work — they are the work: a process, a practice, and a way to slow down, notice, and create connection beyond the usual art world.\u003c\/p\u003e\n\u003cp\u003eThis pocket-sized zine gathers notes from years of personal practice and ongoing curiosity about what art can be in book form.\u003c\/p\u003e\n\u003cp\u003ePublished: 2025\u003cbr\u003eOrigin: Finland\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 30\u003cbr\u003eLength × Width × Height: 21 × 10 × 1 cm\u003c\/p\u003e","brand":"Other Editions","offers":[{"title":"Default Title","offer_id":46849553957051,"sku":null,"price":14.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/41323-Books-as-Art-Practice_Notes-from-the-Margins-1.webp?v=1784428976"},{"product_id":"library-of-artistic-print-on-demand","title":"Library of Artistic Print on Demand Post-Digital Publishing in Times of Platform Capitalism","description":"\u003cp\u003ePrint on demand has revolutionized publishing. Digital printing and online platforms such as Blurb, Lulu and Kindle Direct Publishing allow anyone to publish work immediately and without financial risk, opening up spaces beyond the trade book world and ostensibly democratizing production. Today an entire subculture is exploring print on demand in search of new economies and publics, while also critically negotiating our digital present. \u003ci\u003eThe Library of Artistic Print on Demand\u003c\/i\u003e maps this experimental field for the first time, exploring its global spread, history, contradictions and political relevance through writings from international publishers and authors.\u003c\/p\u003e\n\u003cp\u003eContributors include: Hannes Bajohr, Clara Balaguer, Manon Bruet, Florian Cramer, Jasper Otto Eisenecker, J. Gordon Faylor, Michael Hagner, Dagmara Kraus, Silvio Lorusso, Michael Mandiberg, Holly Melgard, Kathrin Passig, Paula Roush, Zoë Sadokierski, Sophie Seita, Danny Snelson, Paul Soulellis, Angie Waller, Joey Yearous-Algozin and Rahel Zoller.\u003c\/p\u003e\n\u003cp\u003ePublisher: Spector Books\u003cbr\u003ePublished: 2025\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 600\u003cbr\u003eDimensions: 6.75 x 9.75 in\u003c\/p\u003e","brand":"SPECTOR BOOKS","offers":[{"title":"Default Title","offer_id":46946842345659,"sku":null,"price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/41674-Library-of-Artistic-Print-On-Demand-1.jpg?v=1763568116"},{"product_id":"alphabetical-playground-by-cottier","title":"Alphabetical Playground - Nigel Cottier","description":"\u003cp\u003eFollowing the success of \u003cem\u003eLetterform Variations\u003c\/em\u003e, Nigel Cottier presents a study into the alphabet as medium in his new book \u003cem\u003eAlphabetical Playground\u003c\/em\u003e. From this has emerged a catalogue of numerous alphabets and letterforms (estimated at around 7,000 unique letterforms), all created using a series of systems, codes and themes to generate expression and form within the confines of the alphabetic code. With a theme or system for each letter of the alphabet, the book is an exploration into systems within systems, a code within a code.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlphabetical Playground\u003c\/em\u003e—an alphabetical system where each letterform can contain multiple letters within it, so a single piece of text can in fact contain multiple messages.\u003c\/p\u003e\n\u003cp\u003eAuthor: Nigel Cottier\u003cbr\u003ePublisher: Slanted\u003cbr\u003ePublished: 2025\u003cbr\u003eOrigin: Germany\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 696\u003cbr\u003eLength × Width × Height: 15.4 x 3.8 x 19.8 cm\u003c\/p\u003e","brand":"Slanted","offers":[{"title":"Default Title","offer_id":47133743644859,"sku":null,"price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/41576-Alphabetical-Playground_Nigel-Cottier-1.webp?v=1762561837"},{"product_id":"graphics-and-industry","title":"Graphics And Industry \/ Grafica e Industria","description":"\u003cp\u003e\u003cem\u003eGraphics and Industry\u003c\/em\u003e is an illustrated bibliography, a collection of commercial catalogues that were created for design companies between 1906 and 2002. It is published to mark the exhibition of the same name held from 15 September to 24 December at the Bibliothèque des Arts Décoratifs in Paris. The book traces the history of Italian editorial graphic design through a new and unusual context, the layout of commercial catalogues. Arranged alphabetically throughout the book with captions in Italian and English, there are brochures, booklets, catalogues and leaflets featuring innovative and revolutionary designs.\u003c\/p\u003e\n\u003cp\u003eAuthor: Bruno Tonini\u003cbr\u003e\nPublisher: Corraini Edizioni\u003cbr\u003e\nPublished: 2024\u003cbr\u003e\nLanguage: Italian\/English\u003cbr\u003e\nPages: 128\u003cbr\u003e\nDimension: 17 x 24 cm\u003c\/p\u003e","brand":"Corraini Edizioni","offers":[{"title":"Default Title","offer_id":47640120131771,"sku":null,"price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/website_grapfics-and-industry.jpg?v=1784667920"},{"product_id":"o-oo-no-magic-in-riso-3rd-reprint","title":"O.OO: No Magic In Riso (3rd reprint)","description":"\u003cp\u003eIt took 850 days, 74 tubes of soy ink, 15 colors, 660 masters, 690,000 sheets of paper, 3 fans, 2 riso printers, and 4 people to complete a book – a 360 page book that only talks about 1 thing. The thing that is always the most fascinating is “Process”. The processes and experiences that did not have the chance to appear in the pages of this book can only be quantified, converted, and recorded into words. The process creates micro-imperfections in printing, similar to spontaneity, or even comparable to how improvisation in jazz can lead to an unexpected but pleasant result. The result of two years of research by O.OO, a graphic design studio based in Taipei, the main focus of this publication is color separation and experimentation with images. The studio does not claim the color separation methods described here to be absolute or the “right” way, but offer resources in hopes that they can provide helpful advice in practice while on the path to professionalism in this field.\u003c\/p\u003e\n\u003cp\u003ePublisher: O.oo Risograph \u0026amp; Design\u003cbr\u003ePublished: 2026\u003cbr\u003eOrigin: Taiwan\u003cbr\u003eLanguage: English, Taiwanese\u003cbr\u003ePages: 360\u003cbr\u003eDimensions: 11 x 18 cm\u003c\/p\u003e","brand":"O.oo Risograph \u0026 Design","offers":[{"title":"Default Title","offer_id":48120728682683,"sku":null,"price":63.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/8064-25257-No-Magic-in-Riso_A-Bilingual-Riso-graph-Tool-Book-1.webp?v=1784663079"}],"url":"https:\/\/nyc.doyoureadme.de\/collections\/graphic-design-typography.oembed","provider":"dyrm?! x VP, Inc. ","version":"1.0","type":"link"}