{"title":"Home Page July","description":"","products":[{"product_id":"moonlight-screenplay-book-barry-jenkins","title":"Moonlight Screenplay Book - Barry Jenkins","description":"\u003cp\u003eWith a foreword by Frank Ocean, Barry Jenkins’s and Tarell Alvin McCraney’s Academy Award–winning screenplay is accompanied by an essay by Hilton Als and acceptance speeches from \u003cem\u003eMoonlight\u003c\/em\u003e’s historic Oscars night.\u003c\/p\u003e\n\u003cp\u003eAuthor: Barry Jenkins\u003cbr\u003e\nPublisher: A24\u003cbr\u003e\nPublished: 2024\u003cbr\u003e\nLanguage: English\u003cbr\u003e\nPages: 224\u003cbr\u003e\nDimensions: 29 × 21 × 3 cm\u003c\/p\u003e","brand":"A24","offers":[{"title":"Default Title","offer_id":46613080834235,"sku":null,"price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/38950-Moonlight_A24-Book-3-1.jpg?v=1748427725"},{"product_id":"how-to-not-demolish-a-building-51n4e","title":"How To Not Demolish a Building","description":"\u003cp\u003ePart of the Chapters series developed by the Belgian architects 51N4E, this third installment tells the story of two office towers from the 1970s that have been transformed according to the principles of reduce\/reuse\/recycle. 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Following on that enduring bestseller, \u003cem\u003eA Dictionary of Color Combinations Vol. 2\u003c\/em\u003e brings back two more works by Wada published in 1935–1936 and 1938, respectively. The book presents 72 color patterns themed on the Japanese seasons and another 165 drawn from early to mid-twentieth-century fashion, interior, and graphic design, making it an indispensable reference for designers, fashion and interior specialists, illustrators, photographers, writers, and indeed anyone engaged in creative work.\u003c\/p\u003e\n\u003cp\u003eAuthor: Sanzo Wada\u003cbr\u003ePublisher: Seigensha\u003cbr\u003ePublished: 2020\u003cbr\u003eOrigin: Japan\u003cbr\u003eLanguage: English, Japanese\u003cbr\u003ePages: 354\u003cbr\u003eDimensions: 15 × 11 × 1.5 cm\u003c\/p\u003e","brand":"Seigensha","offers":[{"title":"Default Title","offer_id":47567139668155,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/dictionaryofcolorcombo2.webp?v=1773949886"},{"product_id":"graphics-and-industry","title":"Graphics And Industry \/ Grafica e Industria","description":"\u003cp\u003e\u003cem\u003eGraphics and Industry\u003c\/em\u003e is an illustrated bibliography, a collection of commercial catalogues that were created for design companies between 1906 and 2002. 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Since 2011, Studio Experimentelles Design at the HFBK Hamburg has experimented with local design-assistance projects carried out within the framework of the St. Pauli Public Design Support initiative. The student-led program advocates a community based and cooperative approach, involving people who are usually only impacted by design or excluded from it. This partisan practice questions our understanding of what design can be, and who benefits or suffers from it. It also fundamentally questions how we work.\u003c\/p\u003e\n\u003cp\u003eIn the summer of 2020, Studio Experimentelles Design organized the three-week online research festival “(How) do we (want to) work (together) (as (socially engaged) designers (students and neighbors)) (in neoliberal times)?” Hosted by the Kunstgewerbemuseum Berlin’s Design Lab #6, the festival invited friends, experts, and activists to discuss self-organizing academia, artistic collectivism, care work, and creative self-exploitation. Talks, performances, and readings explored the dilemmas of project logic, the radical expansion of precarity, alternatives to the formal economy, immaterial labor in the context of aesthetic capitalism, the problem of the art strike, and new forms of subjective alienation.\u003c\/p\u003e\n\u003cp\u003eDivided into two parts, this publication extends Studio Experimentelles Design’s socially committed approach through conversations, lectures, research, debates, and project documentation, drawing on the research festival as well as five years of work by Public Design Support. Both of these—an international debate on working conditions and a local design practice committed to its community—strive to critically examine design’s current practices. They ask questions of how designers work today, demanding a fundamental reorientation in the issues design addresses and the social actors it serves.\u003c\/p\u003e\n\u003cp\u003ePublisher: Sternberg Press\u003cbr\u003e\nCo-Publisher: HFBK Hamburg\u003cbr\u003e\nPublished: 2021\u003cbr\u003e\nLanguage: English\u003cbr\u003e\nPages: 528\u003c\/p\u003e","brand":"Sternberg Press","offers":[{"title":"Default Title","offer_id":47745492910267,"sku":null,"price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/B0889BD9-259F-42A9-9C86-086C5D5C4D13.jpg?v=1784300209"},{"product_id":"charas-the-improbable-dome-builders-syeus-mottel","title":"CHARAS: The Improbable Dome Builders – Syeus Mottel","description":"\u003cp\u003ePioneer Works Press, in partnership with The Song Cave, is pleased to present the release of \u003cem\u003eCHARAS: The Improbable Dome Builders\u003c\/em\u003e, by Syeus Mottel (2017), a fascinating account of six ex-gang members who broke ground to construct a geodesic dome on a vacant lot in the shadow of the Manhattan Bridge after a 1970 meeting with the celebrated and revolutionary architect R. Buckminster Fuller, also known as Bucky.\u003c\/p\u003e\n\u003cp\u003eOriginally published in 1973, this republication speaks to the issues at the heart of the CHARAS project as gentrification seems to multiply faster than communities can work to preserve themselves against it. The book acts as a record to highlight ways people have united to activate empty spaces before gentrification. As a group, CHARAS was interested in physically altering the housing conditions in their immediate neighborhood, the Lower East Side. Influenced by Bucky’s teachings, the young men of CHARAS began a period of devoted study to solid geometry, spherical trigonometry, and the principles of dome building. Following this period, CHARAS developed a program that encouraged community autonomy and the reclaiming public space.\u003c\/p\u003e\n\u003cp\u003eMore than simply a documentation of the project, the book offers stories, profiles, interviews, and images, and the group’s process from their intensive study to the obstacles they faced while physically constructing domes.\u003c\/p\u003e\n\u003cp\u003ePublisher: Pioneer Works\u003cbr\u003e\nPublished: 2017\u003cbr\u003e\nLanguage: English\u003cbr\u003e\nPages: 240\u003c\/p\u003e","brand":"Pioneer Works","offers":[{"title":"Default Title","offer_id":47745586430139,"sku":null,"price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/20150776-0E63-4F26-B5E2-4504F7D2F135.jpg?v=1784300514"},{"product_id":"tennis-in-photographs-the-style-issue","title":"Tennis in Photographs: The Style Issue","description":"\u003cp\u003eTennis In Photographs debuts the fourth of its new publication series focused on tennis style in 2025. Curated in collaboration with The Tennis Lookbook, it chronicles the kits and trends shaping contemporary tennis culture, from attire to hairstyles and jewelry. The cover depicts four-time major champion Naomi Osaka, known for her fashionable outfits. Osaka wore floral hair accessories at the 2025 majors, starting with the Australian Open, where photographer Edgar Su captured her in a ray of light.\u003c\/p\u003e\n\u003cp\u003eFeatured tennis players include Coco Gauff, Aryna Sabalenka, Carlos Alcaraz, Jannik Sinner, Novak Djokovic, Ben Shelton, Venus Williams, and more. Photos were taken throughout the season by leading photographers including Ray Giubilo, Clive Brunskill, Regina Cortina, and Antoine Couvercelle.\u003c\/p\u003e\n\u003cp\u003ePublisher: Tennis in Photographs\u003cbr\u003ePublished: 2025\u003cbr\u003eLanguage: English\u003cbr\u003ePages: 33\u003cbr\u003eDimensions: 229mm × 152mm\u003c\/p\u003e","brand":"Tennis in Photographs","offers":[{"title":"Default Title","offer_id":47835609628859,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/43353-Tennis-in-Photographs_The-Style-Issue-1.webp?v=1780957211"},{"product_id":"the-paris-review-256","title":"Paris Review #256 2026","description":"\u003cp\u003eHarryette Mullen on the Art of Poetry: “I knew I would exhaust myself as subject matter, but I could take something and turn it upside down, inside out, add a few doodads, and that way it would become inexhaustible.”\u003c\/p\u003e\n\u003cp\u003eYan Lianke on the Art of Fiction:  “I personally didn’t think there was anything anti-war in writing about how an individual might be terrified of battle. I was really writing about my own fear.”\u003c\/p\u003e\n\u003cp\u003eProse by Lucy Ellmann, Chad Fore, Daisy Hildyard, Chigozie Obioma, Daniel Saldaña París, and Shuang Xuetao.\u003c\/p\u003e\n\u003cp\u003ePoetry by Zain Baweja, Jean Day, Hannah Piette, Frederick Seidel, Shamsher Bahadur Singh, Katana Smith, and Tran Hang My.\u003c\/p\u003e\n\u003cp\u003eArt by Hadi Falapishi, Andrew Kuo, and Hannah Tishkoff; cover by Alex Da Corte.\u003c\/p\u003e\n\u003cp\u003ePublisher: The Paris Review Foundation\u003cbr\u003ePublished: Summer 2026\u003cbr\u003e\nLanguage: English\u003c\/p\u003e","brand":"The Paris Review","offers":[{"title":"Default Title","offer_id":47974785155259,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/43506-Paris-Review-256-2026-1.webp?v=1782066633"},{"product_id":"o-oo-no-magic-in-riso-3rd-reprint","title":"O.OO: No Magic In Riso (3rd reprint)","description":"\u003cp\u003eIt took 850 days, 74 tubes of soy ink, 15 colors, 660 masters, 690,000 sheets of paper, 3 fans, 2 riso printers, and 4 people to complete a book – a 360 page book that only talks about 1 thing. The thing that is always the most fascinating is “Process”. The processes and experiences that did not have the chance to appear in the pages of this book can only be quantified, converted, and recorded into words. The process creates micro-imperfections in printing, similar to spontaneity, or even comparable to how improvisation in jazz can lead to an unexpected but pleasant result. The result of two years of research by O.OO, a graphic design studio based in Taipei, the main focus of this publication is color separation and experimentation with images. The studio does not claim the color separation methods described here to be absolute or the “right” way, but offer resources in hopes that they can provide helpful advice in practice while on the path to professionalism in this field.\u003c\/p\u003e\n\u003cp\u003ePublisher: O.oo Risograph \u0026amp; Design\u003cbr\u003ePublished: 2026\u003cbr\u003eOrigin: Taiwan\u003cbr\u003eLanguage: English, Taiwanese\u003cbr\u003ePages: 360\u003cbr\u003eDimensions: 11 x 18 cm\u003c\/p\u003e","brand":"O.oo Risograph \u0026 Design","offers":[{"title":"Default Title","offer_id":48120728682683,"sku":null,"price":63.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0655\/1778\/1179\/files\/8064-25257-No-Magic-in-Riso_A-Bilingual-Riso-graph-Tool-Book-1.webp?v=1784663079"}],"url":"https:\/\/nyc.doyoureadme.de\/collections\/july-collection.oembed","provider":"dyrm?! x VP, Inc. ","version":"1.0","type":"link"}